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Wednesday, December 19, 2007

God Rest Ye Merry Gentlemen

Many thanks to Marc W. for "Stairway to Heaven," covered on the early 90's Australian TV show, The Money Or The Gun, by Australian Beatles tribute band, "The Beatnix."



If ever I were wilful-negligent,
It was my folly; if industriously
I play'd the fool, it was my negligence,
Not weighing well the end; if ever fearful
To do a thing, where I the issue doubted,

Whereof the execution did cry out

Against the non-performance, 'twas a fear
Which oft affects the wisest: these, my lord,

Are such allow'd infirmities that honesty
Is never free of.


“Camillo,” in The Winter’s Tale, I,2,350. Open Source Shakespeare. Visited 5-Dec-07.

The nonchalance of boys who are sure of a dinner, and would disdain as much as a lord to do or say aught to conciliate one, is the healthy attitude of human nature. How is a boy the master of society; independent, irresponsible, looking out from his corner on such people and facts as pass by, he tries and sentences them on their merits, in the swift, summary way of boys, as good, bad, interesting, silly, eloquent, troublesome. He cumbers himself never about consequences, about interests; he gives an independent, genuine verdict. You must court him; he does not court you.

* * * * *

I hope in these days we have heard the last of conformity and consistency. Let the words be gazetted and ridiculous henceforward. Instead of the gong for dinner, let us hear a whistle from the Spartan fife. Let us bow and apologize never more. A great man is coming to eat at my house. I do not wish to please him; I wish that he should wish to please me. I will stand here for humanity, and though I would make it kind, I would make it true. Let us affront and reprimand the smooth mediocrity and squalid contentment of the times, and hurl in the face of custom and trade and office, the fact which is the upshot of all history, that there is a great responsible Thinker and Actor moving wherever moves a man; that a true man belongs to no other time or place, but is the center of things. Where he is, there is nature.

From 'ESSAY II, Self-Reliance,' in “Essays: First Series,” (1841) by Ralph Waldo Emerson. Ralph Waldo Emerson Texts. Visited 12-Dec-07.


And now has commenced the tubby season.

My sainted wife would argue that like the old adumbration about Kid’s Day, every season—for me– is Tubby Season. Yet the period between Thanksgiving and New Year’s Day at the Chicago-based firm where I work is conspicuously zaftig. We conduct business in the money markets, so in the grand holiday tradition of conspicuous expenditure associated with Wall Street the brokers, dealers and partners we know send us tubs of guacamole; handcart-loads of barbecued ribs, cole slaw, and pork chops; pizza and salad; cookies and fudge and cases of wine. Even in the Dark Night of the Credit Markets endured since September, in this festive season the grub rolls in, and like Sin Eaters we gobble it up.

Christmas, the central religious and secular holiday of the West, has of course long been attainted for its contemporary incarnation of cynical connaturalization to commerce, and unsanctified, unspiritual, worldly avariciousness. This is an old drum, that has been beat to smithereens. The birth of the Christ has ranked ever lower in the estimation of the media and academe. Installations of the traditional crèche are nullified by the ACLU, and the PR departments of big-box retail chains sweat through the pre-season to come up with pleasant holiday constructs inoffensive to multi-cultural sensibilities: “Holiday Tree,” “Seasonal Wreath,” and according to the Kansas City Star banning, in Australia, the enunciation of “Ho-ho-ho!” from the oratory of in-store Santas because according to Sydney’s “Daily Telegraph,” the phrase “conjures American slang for a prostitute.”

What more, after this, can be said? Such benighted contemporary manifestations of the Christmas spirit serve heroically to kill the traditional love, hope and charity in my own heart. One finds one’s lip involuntarily curling, the spark of cynicism rising in the eye, the deep breath of patience with foolery being taken unto hyperventilation. As far as Christmas, and how it may make me “cross,” only this may possibly serve, and as an apostrophe and apologia for old Ebenezer’s irritable dismissal of his nephew, who, if he had to read news stories like the one above, may be forgiven for giving it all up:

‘What else can I be… when I live in such a world of fools as this? Merry Christmas! Out upon merry Christmas! What's Christmas time to you but a time for paying bills without money; a time for finding yourself a year older, but not an hour richer; a time for balancing your books and having every item in 'em through a round dozen of months presented dead against you? If I could work my will,’ said Scrooge indignantly, ‘every idiot who goes about with “Merry Christmas” on his lips, should be boiled with his own pudding, and buried with a stake of holly through his heart… !’

‘Uncle!’ pleaded the nephew.

‘Nephew!’ returned the uncle, sternly, ‘keep Christmas in your own way, and let me keep it in mine.’

‘Keep it!’ repeated Scrooge's nephew. ‘But you don't keep it.’

‘Let me leave it alone, then,’ said Scrooge. ‘Much good may it do you! Much good it has ever done you!’

‘There are many things from which I might have derived good, by which I have not profited, I dare say,’ returned the nephew. ‘Christmas among the rest. But I am sure I have always thought of Christmas time, when it has come round -- apart from the veneration due to its sacred name and origin, if anything belonging to it can be apart from that -- as a good time: a kind, forgiving, charitable, pleasant time: the only time I know of, in the long calendar of the year, when men and women seem by one consent to open their shut-up hearts freely, and to think of people below them as if they really were fellow-passengers to the grave, and not another race of creatures bound on other journeys. And therefore, uncle, though it has never put a scrap of gold or silver in my pocket, I believe that it has done me good, and will do me good; and I say, God bless it!’

The clerk in the tank involuntarily applauded: becoming immediately sensible of the impropriety, he poked the fire, and extinguished the last frail spark for ever.

‘Let me hear another sound from you,’ said Scrooge, ‘and you'll keep your Christmas by losing your situation. You're quite a powerful speaker, sir,’ he added, turning to his nephew. ‘I wonder you don't go into Parliament.’

This year my beautiful, kind and talented wife Lisa solemnly said to me, “We bought that fancy new fuselage for the aircraft, and spent all that money on those two young Ayrshire bulls—we have spent enough; we should not get anything for each other this Christmas.”

If you, dear reader, are not married or in a committed or somewhat serious relationship with a significant other, you may not be able to fully and immediately appreciate how my eyes got wide as fried eggs, my hands began to tremble, and how I reflexively backed away from her. The pact she suggested was a pact with Darkness, but after years of a deep and loving connection with this woman, I know that in that instant she was not herself. She wrapped her lamb’s-wool muffler around her throat, and put on a matching toque.

Smiling, I agreed. “That’s perfect, honey,” I managed to stammer out. “That’s what’s best!” I hoped the pallor of my face did not betray the monstrous but necessary deception in my heart. The door slammed, and a wisp of wintry wind, like a tiny cyclone, whirled around my slippers and dissipated into the branches of our Christmas tree, the faux icicles jiggling. Before her mother’s little white sports car had fishtailed away down the snow-tossed street I had donned my duck-boots, jacket and coonskin cap and set out, in search of spousal gifts. To be no fool is to be a fool for those you love.

In my misspent youth I still had time to read and fully digest the immutable laws of The Gift of the Magi, by O. Henry; lessons I wept honest, although adolescent tears, to learn, and which I have never forgotten:

The magi, as you know, were wise men-- wonderfully wise men-- who brought gifts to the Babe in the manger. They invented the art of giving Christmas presents. Being wise, their gifts were no doubt wise ones, possibly bearing the privilege of exchange in case of duplication. And here I have lamely related to you the uneventful chronicle of two foolish children in a flat who most unwisely sacrificed for each other the greatest treasures of their house. But in a last word to the wise of these days let it be said that of all who give gifts these two were the wisest. O all who give and receive gifts, such as they are wisest. Everywhere they are wisest. They are the magi.

_______________________

Of all the Christmases I have had, two stand out, and they are, even as they are remembered as Christmases, Christmases past, really; not quite Christ’s Day of Mass, exactly, but near enough in chronological proximity to count as Christmas in my memory. Like Dylan Thomas’s A Child's Christmas in Wales, the first had to do with fire, and the second, like Eliot’s The Journey of the Magi, with some things else.

All this was a long time ago, I remember,
And I would do it again, but set down
This set down
This: were we led all that way for
Birth or Death?

In each, the holy day itself was passed, and I suppose to a strict sensibility the events themselves were unrelated to Christmas, happening, as they did, each in the new year shortly after; but these old memories I feel and recall as gifts, and are as such forever associated in the spheres of my sensibilities with Christmas, the time, as I am fond of saying, of giving, not getting. Furthermore, these gifts were of the kind that release their qualities over time, so that in the moment of their receipt they seemed not gifts at all, but the opposite of gifts, takings-back, or worse, injury. But in the distorting lens of time their qualities of light, and quantities of precious store, have been made manifest.

For you who know me well, the stories I will now relate on these pages may have the familiar tang of a home-brew well-tasted before, the back-sagging ease of a chair time and again occupied; the contours of a familiar lawn so often mowed that the warp and woof of its cutting could be duplicated at midnight, if it wouldn’t wake the neighbors. But for me, these anecdotes are evergreen, the heart of knowing, of giving, of change and (since the mission of the blogger is writing publicly to obtain private self-knowledge, if not to indulge in self-expression), realization, in this season.

When I was a little boy, we lived in a big limestone house on a tree-green street with chalky white sidewalks that reflected the light and heat in summer and filled with snow in winter.

In 1967 our house caught fire, and my sister and father were severely burned. Counting heads after opening the door, my father found my mother and me, but Karen gone missing. The opening of the door fed the static heat accumulated in the house with clean, fresh oxygen (it was early February), and the resulting explosion engulfed everything in flame: the wreaths still hanging above the fireplace and on the foyer door, the curtains, the carpets, and the furniture. My father threw us in the snow, feet deep, and went back into the inferno and retrieved his daughter, who was then to spend several months, if not years, recovering from her injuries.

“Powells! Powells!” my father shouted, beating on our across-the-street neighbor’s pre-dawn door, the burned skin flaking from his face, as my sister lay panting, charred and steaming in the snow, and my mother held me to her, shaking, in her nightgown. After the door opened and the ambulances took my family away, I watched from the Powell’s plate glass front room window as the fire-trucks filled our house with water, and the flames licking from the windows subsided.

Many weeks later, we had rented a bungalow on the river, as our old home, gutted by the fire, was replastered, refenestrated, and refloored. The bungalow was adobe, and had thick columnar walls. My father joked with me that was where the previous tenants had hid “the bodies,” and I was so jarred by this and every other circumstance I began sleepwalking. I would awake on the kitchen floor when my mother came in to make the morning coffee, in the basement at the foot of the stairs, under the desk in the unoccupied bedroom, which awaited my sister’s release from the hospital.

Late at night my father, George, would sit at the undersized escritoire in the bungalow’s dining-room and calculate our losses for the insurance company, and one gray-bright day approaching March asked me if I would like to come with him and look at “the house.” I agreed immediately, thinking of the excitement of haunted houses and spooky revelation.

As the bony black trees on Lincolnway waved against the silver sky, though, another unbidden thought came, about Petey, our parakeet, who lived in the kitchen in a hanging steel cage on a chrome stand. His perch was within sight of my mother’s magnolia tree, the summertime branches of which waved their thick pink-and-white leaves at us when we sat at our dinner table. Through the kitchen windows, with my father raking leaves in the backyard in the fall, or helping hang the awnings in the spring, I could hear my mother talking to Petey, saying “Pretty bird,” and “Gimme a grape,” and “Good morning,” and then laughing while she ran the water and opened and closed the cupboards.

He could have burned, or starved, or been merely injured, dying a lonely lingering death, because of my negligence. A nervous gnawing began in my chest. I had forgotten him. When we passed the high-school’s concrete WPA stadium and started up the windy street toward the blackened shell of our house, I began to stiffen and grab the armrest. When we pulled up in front I did not want to go in, and when I got into the foyer I could see the icy sunlight stream into the kitchen, and the faint vertical rail of the cage-hanger, and I could not will my feet to go further.

“Come on, young man,” my father said, his red-and-black checked Mackinaw open to his shirt. As he leaned over to look me in the eye, in his shirt he had a pocket-protector containing a Bic pen, a mechanical pencil, and a pocket CO2 gauge (my father owned and operated a lunch-counter with a soda-fountain).

“Why, what’s wrong, Fireball,” he asked, as I labored, failing, to scrunch up my eyes so tight the tears would not fall. His heavy, strong hands, with the clean, blunt, square fingernails were on my shoulder. I could hear my Dad’s big silver Timex ticking in my ear. “Come on, now, we’re OK, Mom’s OK, Karen’ll be OK, and all this,” he swept his hand to the blackened walls, the burst light fixtures, the kitchen linoleum just down the hall licked up into curly, burnt-edged leaves, and overall that special smell of conflagration, "will get fixed."

Taking a deep breath I tried to speak up, like a little man, to be strong and say it right out, like I was taught, but the clench had come too far up my throat, after being held, writhing, in my stomach for so long, and I could only get out the name, “Petey,” before having to take a big gulp of air, my eyes crinkled shut, my face red with the exertion of keeping it in. Up in my Dad’s arms I was a little ashamed, being almost ten years old, to be such a baby.

The front door, ajar, receded, and soon I could see the blistered paint on the wooden frame of the pantry door as we entered the kitchen. The room swung 'round as my Dad put me down on the uneven floor, the buckles on my fireman’s boots jingling. He still held my hand while, remorselessly, relentlessly, helplessly, my eyes, wild with fear of what they would behold, tracked inexorably to the chrome stand, the silver cage, the burned and scorched flowered pillow-case that covered Petey’s suspended home while he slept.

In rapid succession I saw the bottom of the cage dangling free, the spring-loaded metal wires that held it distended, the tiny, barred, cage-door open, too. My father’s face was turned toward the light, and in the same instant I saw the kitchen window, open, the screen gone, and the tensely-waving, empty limbs of the magnolia tree beyond, and behind them the orange-red sky receding into evening. The scratch of a match and my dad lit himself a Lucky. On tiptoe I inspected the cage, the floor, the corners of the room for the tiny avian body, but like Margalo in Stuart Little, Petey was gone. Wondering, I looked at my dad’s face in the fading light, lit, as so often, with the waxing orange glow of his cigarette, his blue eyes steady and serious.

“You know, Charles,” he said, picking a flake of tobacco from his tongue, “it’s a known fact that in times of intense danger, wild animals often call upon vast reserves of strength to save themselves.” We both immediately eyed the broken cage, the open window, and the cold world beyond.

“It is winter. It is cold. And of course as we both know Petey was a bird from south of here, a little ways,” he said. He walked over to the window and with a couple of expert twists had cranked it shut.

“But you never know,” he said. He guided me toward the dining-room. “C’mon, let’s take a look at the piano,” he said, “Your mother wants to know if it can be salvaged.”
_______________________


At the University I learned how to smoke both legally and illegally, learned it was actually possible to pass out after drinking too much, learned that although it was easy to have sex with girls, my Old World grandmother’s adage that “a promise is always made in bed,” was for the most part, true. People want sex to be easy, they want it to just be fun, but by the time they are old enough and tough enough for it to be merely both, they have also learned it is not either.

In high school I grew my hair long, drag-raced on the local country roads, tried to make it with the local girls, stole things and got in fights, neglected my household chores, and fought with my father nonstop. He would leave the table fuming and take a walk; I would leave the table yelling, and lock myself in the finished basement with The Stones, Pink Floyd, and Emerson, Lake, and Palmer.

Starting with the driver’s license trouble ensued. The wider, driving world took me to places and people I didn’t know before, and beckoned to even wider open spaces, far removed from my parents’ coffee at the dinner table, relaxation watching “Laugh-In,” or “Happy Days,” or reruns of “Gunsmoke,” (my father’s favorite). Just over the state line I could pass for a legal drinker, and there were three broad strips of two-lane county-road blacktop, besides State Route 31, that could get me there. Even though my buddy Ken Grimm killed himself on U.S. 31 (6) days before graduation, topping off a utility pole with his Olds 442 twelve feet above the ground, “Thirty-One,” was the highway that rifled past the state line, the old drive-in movie lots, bowling alleys, and roadhouses to liberty.

By the time my Uncle Jim and my father drove me south, to the state university, my dad and I were barely speaking. He would still offer sage advice, cloaked in an ironic, “I know you won’t listen to me, but,” that telegraphed to me not that he was trying his best to help me and I was not responding, but that he was a relic of a bygone age, intolerably backwards, immaterial, and old. My Uncle Jim was an ex-vaudevillian, a tenor soloist who met my Aunt Blanche, a chorus girl, in a Chicago music-hall during the First World War, when he was sixteen and she was fourteen. They married, and had three children, all of whom died of leukemia before adolescence. They had adopted my Mom and Dad in later life, when their Michigan summer home was next to our vacation cottage, on a small lake near Buchanan. Uncle Jim smoked a pipe, and his comments to me, made between long draws on it, made my father’s remarks by comparison seem mild and tolerant.

“So you want to be an actor, huh,” Jim said. “Why in hell you think a college education will make an actor out of you I can’t tell. Why, you’re just a goddamn idiot,” Jim would say, and I knew better than to tangle with him. I would just smile. “You smile like a goddamn monkey,” Jim said. “Why don’t you make something of yourself? Become a lawyer, you’ve got the brains and the language skills. What the hell’s wrong with you,” he’d say, and grumbling, fire up the pipe and look out the window, my father making no comment, expressionlessly driving.

After we unloaded the U-Haul trailer of all my stuff, we took the trailer to the U-Haul place, had a carbohydrate-rich dinner at a restaurant called the Wagon Wheel, and Jim and my Dad drove me back to the quad. We solemnly shook hands, three men at three stages of life; Jim, white-haired and tanned to a leathery finish, wearing a cabana shirt from his native Florida (where he had eventually made millions in offset printing in the 50s), the ever-present pipe in his hands, and my Dad, still blonde, then, but his hair going to a sandy gray, square and strong, and me, thin and long-haired, beardless still, a beanpole with an agenda.

“Later,” I said, and they drove away north. It was dusk and over the late summer leaves of maple, ash, and pine of the campus the horizon crept away into night.

I was free.

Making the Dean’s List my first semester and gaining a spot in the honors program in English surprised me more than it did my parents. My freshman advisor was a rail-thin blonde ethnic German with a hyphenated name who had been eight years old when the Second World War ended, wearing the uniform of the Wehrmacht and carrying a Mauser rifle taller than him. He could read and write Greek and Latin on the chalkboard as he translated, extempore, and referred us to the textbooks in front of us. Coming from an actual “culture,” howsoever distended and warped it had been by National Socialism, he had no understanding of the free-love and antiestablishmentarianism that pervaded what we were beginning to call our “counter”-culture. He was intellectual and a little bit sad, and fired my imagination to discover my way, my own way, and to open my aesthetic sensibility beyond the Midwestern bourgeois materialism, ironically, that my parents and grandparents had labored so mightily to enjoy.

Bidding farewell to my friends, the pot-smoke and beer-fumes nearly dissipated from the rehabilitated 1939 Willys hearse we drove upstate for Christmas vacation, I stood on the sidewalk in front of the house I grew up in. Although it was only late November, the streets were already covered with snow. The little squat metal lights my Dad and I installed cast little pools of light on the wide steps leading up between the evergreen bushes to our porch, and the big blue Christmas lights surrounded the plate-glass front window.

This was the same window through which I fired a sprinkler-head the summer before I left for college, by running it over with the power-mower. My dad and I had installed an underground sprinkler system, and I built the little control-box for the valves we buried in the ground, from leftover redwood from the deck he and my two sisters had built years earlier. We had cut trenches in the lawn, carefully removing the rectangular pieces of sod, laying in black polyvinyl chloride pipe, that angled up at last to ground-level, attaching to copper fittings that fastened to the pig-iron fountainheads, that sprayed an inverse cone of water when the valves in the control-box were opened.

“Make sure you trim around these before you mow,” my father said, after we had replaced the last strip of sod. “You don’t want to catch one on the blades of the power mower.” After a few times mowing the lawn of course I thought I knew where they all were. When I heard the mortar-like ka-chunk! I knew immediately what I had done. I switched off the motor on the mower and inspected the grass-catcher. The canvas was ruined with a foot-long hole where the metal head had shot out. When the front door opened I saw my Aunt Palmyra (who helped my mother with the housekeeping) looking at the double-paned plate-glass window in the front of the house, which had two parallel six-inch holes in it where the three-inch head had penetrated both panes.

I thought I was in for it.

My mom said to leave everything exactly where it was, so when my dad got home he sauntered out into the yard like a general inspecting a battlefield. He reviewed the mower with its blasted grass-bag; the decapitated sprinkler-pipe with a transparent crown of leaking water; the double-thermal-paned picture-window gleaming like a square, shining pool but with a jagged hole near the top, like a double-halo, sparkling in the evening light. The sprinkler-head, along with the beaded glass shrapnel of the safety-glass it carried in with it lay on the living-room carpet within.

Unexpectedly, I felt my dad’s hand on my shoulder. Looking up, I saw a faint smile on his face, his eyes with that unexpected twinkle, unlike the stormy Atlantic darkening they wore when he was angry.

“That bag can be replaced,” he told me. “That window can be replaced. But if the circumstances had been a little different, if the geometry of this accident had been something else, you could have been badly hurt. If Pal, or someone else, had been in the way,” he said, and his expression was suddenly grave, “the outcome of this accident could’ve been a lot more serious.”

“Do we understand each other?” he asked. His hand was still on my shoulder.

“I’ll be a lot more careful,” I said. “Thanks, Dad.”

“Please see that you do,” he said. “And you’ll work off some of the costs of these repairs, does that sound fair?”

I nodded, and then we went into dinner.

All this seemed, to my Dean’s-listed self, wise in the ways of co-eds and tequila, smoke-veteran and sophisticated, to be far, far in the past. I trudged up the snowy steps to my parents’ arms, had some coffee, and then came back out to shovel snow.

In two week’s time I was bound back to the University. My grades had come in, and my father had attached the card to the refrigerator, with the words, “Good job!” in pencil, in his spiky draftsman’s block-lettering, written across it. I was full of home-cooking, happy, and looking forward to getting back to my friends, my advisors, my classes. I had found myself. I had impressed my unimpressible father, brought a tear of appreciation to my mother’s eye, and gained some ground toward adult respectability.

Back at the quad, we were having some drinks. I had been up on the roof with my typewriter, alone, working on some story. In and out of each other’s rooms, we paid little attention to phones ringing, and I was flushed with gin-and-tonic, and TV news. Agatha Christie had died; Ray Kurzweil, along with leaders of the National Federation of the Blind, announced the Kurzweil Reading Machine at a press conference; three pipe bombs were found by a Transit Authority employee in a subway emergency exit shaft under an exit ramp from FDR drive next to the United Nations and disarmed by New York City police, set, according to the Associated Press, by the Jewish Armed Resistance Strike Unit, which was associated with the JDL; down the hall a group of my floor-mates were watching the M*A*S*H episode where Hawkeye is taken in by a Korean family (who understand no English) after a jeep accident far from the 4077th. Alan Alda is the only cast member to appear in the episode, and he delivers a 23-minute monologue in order to remain conscious.

“It’s your Mom,” said Bill, my room-mate. He majored in trumpet at the music school, never washed his sheets, and went on to play at the Cleveland Symphony.

“Hey, Mom,” I said, taking the phone and swinging the door shut.

“Oh, Charles, Charles,” she said, and her voice was choked and ragged. “Honey. Oh, honey, your dad’s died.”

For a moment I was stunned, as if I had lost my balance on a slippery deck and grabbed a post just in time to save myself from falling into the dark water, and slammed into the planks; as if I had unexpectedly walked into a low bridge, stars in my eyes; like I had fallen out of bed in a dream, and was falling, falling, with no end in sight, no bottom.

Later he lay in a box, still and massive. In the moment I been given alone with him, I slipped the note into the breast-pocket of his suit, and decided to test his chest, and although silent and granite-solid as ever, I could feel its immobility against my face, and the sterile and chemical smell of its fabric, not the sweat, tobacco, and Old Spice I had grown so long used to. I was weeping, there, for quite a few moments when my brother-in-law touched my shoulder. I had not heard the door to the chapel open, but my family was there, then, and I was not alone with him anymore.

None of my friends had been free to drive me back for the service, but they could drive me to the next big city, north, where I caught a Greyhound bus the rest of the way. That night the biggest snow-fall in twenty years fell, and I sat alone in the bus-station for (5) hours waiting for the delayed express-bus. The ceiling was high and lined with cold fluorescent lights, the floor streaked, ivory linoleum. At last the bus came and boarding I saw I would be alone except for a massive, angry-looking black man with a purple velvet fedora and matching Chesterfield overcoat, and a handsome middle-aged woman with dark hair. I approached the middle-aged woman, and said:

“My father’s died and I am going home. I see we are both by ourselves and I wonder if you would mind if I sat next to you.” I am sure I must have looked pale and desperate, for she responded, “I don’t think so, no,” and turned to the window and the snowy depot outside.

Staggering back to a seat, I watched the swirling flakes and black empty prairie roll past, and at the bus station met my cousin Don, who took me home. It was the same bus-station from which three days previous I had bid my parents good-bye.

It was sunny, then. My dad wore a gold Arnold Palmer zippered jacket, grey slacks and wingtips. My mother had her hair up in a chignon, wore a light coat, narrow stirruped pants and fur-cuffed boots. They both had steaming cups of coffee, and were waiting, with me, for the bus that would take me back to school. I emerged from the men’s room, and they, my parents, appeared to me so different from the swirl of bus-station people around them. They basked in the only sunlit table in the whole vast waiting-room, and as they looked up to me, returning to them in my buckskin coat, university sweatshirt, and moccasins, they seemed ethereal, forever young, and permanent.

As the bus circled the parking lot on route to the highway, the ice sparkled against the wet asphalt, and I could see them walking towards the car. He opened the passenger’s-side door for my mother, who gathered her coat and slipped into the seat, and as he came around the car, before putting on his sunglasses, my father caught my eye in the bus-window and he waved a little, seeing me, in pride and benediction.

Monday, November 19, 2007

Onomatopoeia


Now he would never write the things that he had saved to write until he knew enough to write them well. Well, he would not have to fail at trying to write them either.

-Ernest Hemingway, The Snows of Kilimanjaro


That brevity is the soul of wit was never more clamorously confirmed than in these, my first few efforts at blogging.

Many thanks to those who faithfully waded into this humorless morass, whether out of friendship or curiosity.

Via hearsay from a favorite nephew I once heard that a dangling participle of a relation had sneered at my predilection for quotes from history and literature. I had always hoped that in the words of wise and great men and women I would find a peg to hang my philosophical hat on; but I see the point he was trying to make. Appropriating someone else’s intelligence as a proxy for speaking the thoughts of my own cracked head is not admirable.

Worse, it looks like trumpeting my reading; which in my case—as I found out at the LA wedding chronicled October 1, below—is a vast shallow lake of Western conceits. At this wedding a brother of the bride and I sat late, smoking cigarettes, at a remote table amidst the empty wine glasses coffee cups and dessert dishes, on the wraparound balcony surrounding the Japanese garden at Yamashiro, the Hollywood site of the wedding feast. For one reason or another, it may have been the fact that the restaurant was CalAsian, when we started talking about books, specifically coming-of-age books, and I mentioned my love for This Side of Paradise, countering, he waxed rhapsodic about the Japanese writers he had known.

I was taken aback somewhat.

The situation seemed immediately as if I were caught in a sudden duel in a foreign country. I was unaware of what my casual and dilettante remarks on literature would awaken (the brother was an administrator at a university), and the atmosphere seemed to suddenly whiff of competition. When pressed he said he had only read them in translation, a small victory for me, I suppose.

Still I was struck with the largeness of the world and its literatures, and how we in America are so seduced by the mass media we have grown. The brother took his leave, and I was left there. Our media culture is like a mammoth dybbuk; thoughtless, amoral, animal, and ready to turn on us at any time.

The Fitzgerald, then, with a loosened and limp Arrow collar, reeking of Rock & Rye or Gin Rickey; Conrad, elsewhere, admirably straddling the centuries and prefiguring the depredation of the West upon innocent aborigines-- himself, though, an avatar of who is “us,” and who is “them--” Charles Dickens, sounding more like a raving lunatic (for instance in Pickwick), than in the character of Sober Social Justice Fighter in which we hope to confirm him on the evidence of Dombey, or Our Mutual Friend; Harper Lee, George Orwell, Flannery O’Connor, et al, resounding to the clang of the ruthless gates of high school English class syllabi slamming shut, echo hollow in the face of the Rest of the World: Murakami Haruki, Forough Farrokhzad, Jorge Amado, he and she and they and it, ever and forever, usque ad finem, to the ends of the earth.

So, then, the blog. This blog. Dragging in a quote whenever focus flags, or making an ungainly free-writing leap from one turgid ice-floe of a paragraph to the next, dropping in a block of unrelated statistics or a flashy image in the vain hope that the ravenous polar bear of profound, tedious, excruciating boredom does not drag my reader under, must stop. If this is to be the root of story, I must abandon all the cheap tricks I have learnt in a lifetime of easy conquests, and the last few years of costume-jewelry, fainthearted taglines that pass for English in the writing of emails and greeting cards. To see; to see, and to make it all merciless, personal.

Once upon a time... I worked in a black-tie restaurant run by gangsters. Later on, one of my customers had another of my customers killed, or so the story goes. The dead man was found in a car-trunk in Lincolnwood. They had often lunched quietly, together. They were both kind, soft-spoken men.

In this eatery I distinguished myself as a snotty, loose-limbed, pot-smoking, coke-snorting, chain-smoking, whiskey-drinking, over-intellectualized, preening asshole, and that was on my good days. Fortunate for me I was so stupid and such an inconsequential loser I was not worth killing. I was broke, in a sick relationship with a sick girl and her sick brother, a lonely brawler, an irresponsible drifter. I wandered the city late at night, along the alleys and railroad tracks, stopped in at North Side gambling dens—The North Shore Club, Bensinger’s Billiards, Chris’s—where I could not afford to buy into a game but liked to look on, and eyeball the hot girls the flashy guys brought in.

At this white tablecoth restaurant the manager was the nephew of the owner. He was a rich, spoiled, sleek, groomed, contemptuous man-about-town, an intellectual lightweight, and although he could read and possibly write, in a primitive way, illiterate. Every chance I had I would silently rebel against him, his very essence. I dressed and got my sharp haircut and cleaned my nails and had my tux and shirts pressed and clean because I had to; this guy loved dressing up, and carried a little handbag with him so the bulge of a wallet would not disrupt the lines of his suit.

We were about the same age, and when he would make some brainless gaffe about what he thought Mike Royko meant in his column, or what he thought was the deeper meaning of a movie, or the historical truth behind the international news, I would slip a smooth little ladylike ice pick into his conversation. Not anything overtly challenging, but the kind of disrespectful indirection that was unanswerable, just like the repressed, weak and insignificant courtier I imagined myself to be. Robin (I have changed the name) would then respond in kind:

“Load my car.”

“Sweep the back-bar.”

“Get Anton’s cigar-case for him.”

Once in the locker room, deep beneath Dearborn Street, I turned to Danny Santa Rosario, a skinny, sad-eyed, curly-haired waiter from Hoboken, New Jersey. Danny’s old man broke Danny's nose for him a couple of times before leaving his mother and Danny’s two little brothers for somewhere else, and at Danny's height of five foot seven or so the nose had an out-sized, but somehow royally Roman appeal. Danny sent money home every week. He had done some time out there somewhere in the East, not very long, for stealing a car. He was quiet and reserved and smooth and polite and a very good waiter.

We all worked twelve hours on, twelve hours off, six days a week. Danny was coming on and I was coming off. I had just bought my first pair of black wingtip shoes, but I had made the mistake of breaking them in on the job. The heavy, double-layered leather creased wrong, and after twelve hours, wearing thin dress socks, the fold of the thick leather uppers had incised big bleeding cuts just above the knuckles of my two big toes.

Robin had been particularly vicious to me that day. "You're hurting us. You should quit. You should give up," he sneered, up in my face. Apparently I had been too "stiff," and "polite," with a regular customer, when breezy, casual, but beneath it a rigidly respectful acquiescence, was ever the order of the day; an order I had in some distracted way contradicted.

My shacked-up girlfriend had slept with another of our “friends;” my girlfriend's little brother had made a half-hearted attempt to cut his wrists, the paramedics took him away; I had to go to work, and I missed a deadline. My editor, at the free Chicago weekly I was writing for, fired me from my story.

Miserably, I would still collect the paycheck, although Nat, the editor, finished it himself, because he was tired of screwing around with me. Nat listened to my sad story, but he had problems of his own. He could not pile on to my misery, so he refrained from telling me what a pathetic unprofessional jackass I was to pour out my tale of serial poor judgment to him, an innocent bystander who couldn't do anything about it anyway, but he did have to reduce his losses.

I pulled the bloody black fabric out of the cuts.

"What I don’t understand,” I asked Danny, a barely throttled girl-sob rising in my chest, “why’s he got to be so personal.” Trembling, I eased my second lame foot out of its shoe. The shoe laughingly gaped at me like a satiated hound.

Danny flicked his comb out of his hairline, and just the right snap of black hair dropped perfectly onto his forehead, next to the part. His complexion was olive and perfect, and he had a porcelain smile that gleamed like the grille of a Buick, when he chose to unleash it on the occasional-- usually-- women guests. His fingernails were buffed but unvarnished, his shirt spotless like a field of snow, and he smelled faintly of Lagerfeld. As I sat there stinking, sweating from a hellish lunch and cocktail-hour of credit-card bankers with obelisk eyes and nasty, obese, over-made-up suburban women at lunch before the opera matinee, he stood over me; a single, stake-thin chord of white and black.

“Personal,” he said, working the word around his mouth like he was trying out a foreign language. Suddenly I remembered at a tasting earlier in the week (we all got to taste the menu we served, for our lunch), Danny made the same face repeating the word, "fair," when someone had used it, as in "fair play."

He looked at me, smiling, and sadly, wisely, said:“Lemme tell you something, it’s all personal.”

Thursday, November 8, 2007

Days Past, Lake Tanganyika, Flying Dogs and Frozen Peas: (5) Days of Dredging Up Nov. 3

"People are trapped in history, and history is trapped in them." (James Baldwin, Notes of A Native Son, 1955)

Venturing out onto the shaky platform of experimentation, I am going to try and write about, "This Day in History," using as my guide the November 3rd entry from www.infoplease.com/dayinhistory. You will readily see that there are but (7) topics that Infoplease thought were appropriately significant. I am going to try and write a little something about each of them. My hope is I will not wander off into the bush. This approach to blogging is just a little laboratory work, and will probably not be here, and at once, perfected:

In 1839, the first Opium War between China and Britain broke out. In 1903, Panama proclaimed its independence from Colombia. In 1952, Clarence Birdseye marketed the first frozen peas. In 1957 [the year of my birth] the USSR sent the first animal, a dog named Laika, into space aboard the Sputnik II. Laika died in orbit. In 1986 a Lebanese magazine broke the story of U.S. arms sales to Iran, leading to the Iran-Contra affair. In 1992, Carol Moseley-Braun became the first black woman elected to the U.S. Senate. In 2004 Hamid Karzai was declared the winner in Afghanistan's first presidential election.
Like John Donne, whose Meditation XVII is quoted (for those of us still in thrall to the critically disreputable Ernest Hemingway-- racist, sexist, anti-gay) at the start of for Whom The Bell Tolls, (1940), I feel connected in some wise to all these events:

No man is an island, entire of itself. Every man is a piece of the continent, a part of the main. If a clod be washed away by the sea, Europe is the less, as well as if a promontory were, as well as if a manor of thy friends or of thine own were. Any man's death diminishes me, because I am involved in mankind and therefore never send to know for whom the bell tolls it tolls for thee.
Seems to me, from the dusty folios of collegiate memory, that at the front of the Scribner's FWTBT, that I read, then, that this was rendered as verse. Vaguely, I seem to recall a rather fanciful line-drawing of a rugged man seated beneath a tree. He may have been smoking a cigarette. But this may be an addled memory of the scratchy illustrations in Kim, by that (still) other racist bastard, Kipling, who, while appealing to contemporary Political Correctness in immortalizing the Decline of the West in The Times of London, in Recessional, was still weltering in his racial superiority in Kim.

The title character, Kim, was the orphaned son of a of a native mother and a soldier in the Irish regiment. In the novel Kipling based the shadowy character Colonel Creighton on Captain Sir Richard Francis Burton and his activities. Burton, the Devon son of an Irish officer in the British Army, was a star player of the Great Game, the only white man to have made the pilgrimage to Mecca, premier translator of the Kama Sutra, scion of The Arabian Nights, portrayed in the movie Mountains of the Moon, (1990), by Irish actor Patrick Bergin. I find myself wondering if the title is from Poe, in Eldorado:

"Over the Mountains
Of the Moon,
Down the Valley of the Shadow,
Ride, boldly ride,"
The shade replied-
"If you seek for
Eldorado!"
Burton was among the first English translators, with Forster Fitzgerald Arbuthnot, of the Kama Sutra, and in 1888, he began his “new version,” of The Scented Garden, or as it is sometimes called, The Perfumed Garden. Burton’s wife, Lady Isabel Burton, said it “occupied him seriously only six actual months,” the last six months of his life.

According to Thomas Wright, in “The Life of Sir Richard Burton:”

“'The Scented Garden,' or to give its full title, 'The Scented Garden for the Soul’s Recreation,' was the work of a learned Arab Shaykh and physician named Nafzawi, who was born at Nafzawa, a white, palm-encinctured town which gleamed by the shore of the Sebkha—that is, salt marsh—Shot al Jarid; and spent most of his life in Tunis. The date of his birth is unrecorded, but 'The Scented Garden,' seems to have been written in 1431. Nafzawi, like Vatsyayana, from whose book he sometimes borrows, is credited with having been an intensely religious man, but his book abounds in erotic tales seasoned to such an extent as would have put to the blush even the not very sensitive… It abounds in medical learning, is avowedly an aphrodisiac, and was intended, if one may borrow an expression from Juvenal, 'to revive the fire in nuptial cinders.'”

Burton considered The Scented Garden his most mature and best book, not only for the skill of its translation, but the acuity of his interpretation, and beauty of language. It was intended to provide his surviving wife with a comfortable annuity generated through a treasure of royalties.

In Captain Sir Richard Francis Burton: The Secret Agent Who Made the Pilgrimage to Makkah, Discovered the Kama Sutra, and Brought the Arabian Nights to the West, by Edward Rice (Charles Scribner's Sons: New York 1990), I read that soon after Burton succumbed at age sixty-nine to a heart attack (“The ether! The ether!” he is said to have exclaimed, during his final crisis-- ether was considered a medical miracle and all-purpose pick-me-up), his wife, her Victorian sensibilities outraged (probably by the last chapter in The Scented Garden, which concerned pederasty), proudly fed the manuscript into the fire.

Although I am blackly guilty, here, of a bait-and-switch (Burton had nothing to do with the Opium Wars), I will ask some latitude. At the gala November 3 Opening Day of the first of the opium wars, he was barracked as an undergraduate at Oxford, the ways of which, according to The Athenaeum No. 3287, Oct. 25, 1890 (p. 547), “were little to his taste, and ultimately, in 1842, a commission in the East India Company's Service was procured for him. During his residence in India he was enabled to indulge in his love of travel, yet it was in 1852 that his 'Pilgrimage to Medinah and Mecca' at once sealed his reputation as one of the most daring and successful explorers of the time. His next feat, in 1855, was a visit to Harar, a city already known to the early Portuguese, but never before visited by a European. If he failed on that occasion in penetrating through Somal Land (sic) into Equatorial Africa, he was all the more successful in his next venture, when, accompanied by Speke, he discovered Lake Tanganyika (February, 1858).”

The biography of this old hero crops up, now, not just because his lurid life still appeals to my love of historical romance (like the fictional Kim does, and as does Huck, for that matter, in The Adventures of Huckleberry Finn, racism notwithstanding), but because I love a good yarn about boys and men in peril; and also because in his life I see curious parallels and contradictions to our own time, when our country is near extricating itself with some shred of credit from our own Arabic-Oriental-Muslim adventure.

As only an aside, I will make this suggestion, that the current drug war may offer some parallels to the Opium Wars, which were caused by Britain illegally exporting opium to China from British India in the 18th century to counter its trade deficit. But comparisons are labored, unless one believes in a Third World conspiracy of Bandungians to get America too stoned to hegemon.

(Bandung was the capital city where in 1955 Achmad Sukarno, the president of Indonesia, invited a diverse assortment of nations to posture against colonialism and the U.S. Jawaharlal Nehru, Chou En lai, Mohammed Ali of Pakistan, Kwame Nkrumah, who later became the first black president of any African nation, Mohammed Amin al-Husseini, the infamous Grand Mufti of Jerusalem, a Nazi sympathizer who had campaigned against Jews and moderate Arabs alike for more than (30) years, and Rep. Adam Clayton Powell, the first black American to become a powerful figure in the United States Congress, elected from Harlem in 1945, all were given a chance to bash the West).

According to the irrefutable and ever-reliable informational gold-standard, "Wikipedia," as a result of high demand for tea, silk, and porcelain in Britain and the low demand for British goods in China, Britain had a large trade deficit with China (sound familiar?). To offset paying for these goods with silver, in the 18th century Britain began illegally exporting opium to China from British India to counter the deficit. The opium trade took off and the flow of silver reversed. The Yongzheng Emperor prohibited the sale and smoking of opium in 1729 because of the large number of addicts.

After much see-sawing on the practice for over a century, in March of 1839 the Emperor appointed Lin Zexu, a strict Confucian, to control the opium trade at Canton. Lin enforced a permanent halt to drug shipments into China, and when the British refused to end the trade, Lin imposed a trade embargo.

“On March 27, 1839,” the Wikipedia article reads, “Charles Elliot, British Superintendent of Trade, demanded that all British subjects turn over their opium to him, to be confiscated by Commissioner (Lin), amounting to nearly a year's supply of the drug. After the opium was surrendered, trade was restarted on the strict condition that no more drugs would be smuggled into China. Lin demanded that British merchants had to sign a bond promising not to deal in opium under penalty of death. The British officially opposed signing of the bond, but some British merchants that did not deal in opium were willing to sign. Lin then disposed of the opium by dissolving it with water, salt and lime and dumping it into the ocean.”

Afterwards the British contended their private property had been absconded-with, and started a shooting war, sending in troops from their Indian garrison. In 1860, at the Convention of Peking, China ratified the Treaty of Tientsin, ending the war, legalizing the import of opium, and granting a number of privileges to British (and other Western) subjects within China.

A genius like Burton will flash across the horizons of history like a comet. The space-dust, delicate charcoal and carbonaceous chondrites, signs of amino acids, and other celestial debris following him may account for that flawed percentage of his character best left unappreciated. Burton lacked respect for authority and convention, had a violent temper, an omnivorous sexuality (Burton coupled with all the aboriginal women he could, Congolese, Arab, Turkic, Abyssinian, Afghani, and as a result of his uncannily insightful reports during a military investigation of a homosexual brothel was assumed by his contemporaries to love the love that dare not speak its name), uninhibited by morals or the scrupulousness of a modern ethnologist, and he reveled in alcoholism, laughed off accusations of murder, and was possessed by a white-hot ambition.

Apart from that he was a brilliant mimic and actor, master of the mechanics of linguistics (he could speak as well as write Iranian, Hindustani, Arabic, Marathi, Sindhi, Punjabi, Telugu, Pashto, and Multani. In his travels in Asia, Africa, and South America, he learned 25 languages), swordsman, explorer and writer, Knight Commander of St. Michael and St. George for his service to England. Since this is all the case, and indeed Sir Richard’s case is long-closed, and there is little dispute about the man’s character and accomplishments, he may be useful as an example of the complexity of achievement.

Any accomplishment in this world is actuated by friction.

The current media and politicians criticize that public action known as “flip-flopping;” or, taking one position today and another, tomorrow, as if all knowledge were static and all truth monolithic, instead of being the sinuous and ethereal notions they are. The opprobrium which accompanies a public figure changing his or her mind about an issue is wholly ridiculous. Educated in the Eastern school of life, where Right and Wrong and Truth and Falsehood are not mutually exclusive but merely two sides of the same greasy coin, what acerbic unprintable scorn a man like Burton would heap upon such criticism.

If the definition of insanity is doing the same thing over and over again and expecting a different outcome, why would a sane man or woman NOT “flip-flop?” We are all of us a mass of contradictions in a switcheroo world of paradox. Everybody and everything is always throwing something new at us. Why would any rational and sentient person, politician or lay, avoid an obbligato “flip-flop?” Sanity waltzes in at the nick of time, in the shape of that gay, rotund and orotund Civil War nurse from Long Island, Walt Whitman (Stave 51):




The past and present wilt-- I have fill'd them, emptied them.
And proceed to fill my next fold of the future.

Listener up there! what have you to confide to me?
Look in my face while I snuff the sidle of evening,
(Talk honestly, no one else hears you, and I stay only a minute longer.)

Do I contradict myself?
Very well then I contradict myself,
(I am large, I contain multitudes.)

I concentrate toward them that are nigh, I wait on the door-slab.

Who has done his day's work? who will soonest be through with his supper?
Who wishes to walk with me?

Will you speak before I am gone? will you prove already too late?
From, Song of Myself (from Leaves of Grass, 1891)
__________________________________________

Panama, which contains the canal Teddy Roosevelt build on the bones of a French consortium, which Jimmy Carter gave to the Red Chinese, presents many problems for anyone with an interest in history, engineering, global politics, and liberal tendencies.

In 1977 Carter agreed to give control of the Panama Canal to communist dictator General Omar Torrijos. Under the 1903 Hay-Bunau-Varilla Treaty, the U.S. purchased the land, constructed the Canal, and was granted sovereignty over it in perpetuity. Under its agreement with Panama, China will take over $32 billion worth of U.S.-built, U.S.-owned military bases in the Canal Zone and operate from fortified positions.

Panama has signed a (50)-year lease for two ports at each end of the Canal with Hong Kong's Hutchison Whampoa Company, run by Li Ka-shing, who is closely associated with the Beijing regime. This gives China's Communist Party de facto control over the most strategic waterway in the West.

Happy Independence Day.
__________________________________________

Frozen peas, with those little onions, mix well with pasta, prosciutto and basil cream sauce. And with a little bit of black pepper, and maybe a nice glass of Chablis…

Clarence Birdseye was born in 1886 in Brooklyn, New York, a taxidermist by trade. He was made wealthy when Goldman-Sachs Trading Corporation and the Postum Company (later the General Foods Corporation) bought his patents and trademarks in 1929 for $22 million. The flash-frozen foods produced by the processes Birdseye perfected were sold for the first time in 1930 in Springfield, Massachusetts.

According to web.mit.edu, “Birdseye was a biology major at Amherst College when quit school to work as a naturalist for the U.S. government. He was posted to the Arctic, where he observed first-hand the ways of the native Americans who lived there.”

Statistical:

Sales
Total Frozen Food Sales $29.2 B
Bread Dough $590 MM
Breakfast Foods $1.06 B
Novelties $2.5 B
Ice Cream $4.8 B
Frozen Dessert/Fruit/Toppings $764 MM
Juices/Drinks $611 MM
Pizza/Snacks $3.57 B
Hors D’Oeuvers/Snacks $825 MM
Pizza $2.74 B

(Source: Information Resources, Inc. 2003, via the American Frozen Food Institute, http://www.affi.com/factstat-glance.asp)

__________________________________________

According to http://www.spacetoday.org/Astronauts/Animals/Dogs.html, “Laika was the first animal to go into orbit. She suffered no ill effects while she was alive in an orbit at an altitude near 2,000 miles.

“Laika had been a stray dog — mostly a Siberian husky and around three years old — rounded up from the Moscow streets and trained for spaceflight. She was carried aloft in a capsule which remained attached to the converted SS-6 intercontinental ballistic missile which rocketed her to orbit."

On the Web page, http://www.dogsinthenews.com/, the history is more complicated.

"...a secret that has been kept for 45 years was just released last week at the World Space Congress in Houston. "Laika", the first astronaut of the planet Earth, died of fright just after take-off.

"Hardly the starship Enterprise, Laika's spacecraft was no bigger than a washing machine.

"The report, presented by Dimitri Malashenkov of the Institute for Biological problems in Moscow, ended decades of speculation as to the fate of the great canine cosmonaut sent into space aboard Sputnik 2 on Nov. 3, 1957. Russian authorities had previously circulated reports that Laika survived in orbit for four days and then died when the cabin overheated due to a battery malfunction.

"In reality, medical sensors recorded that immediately after the launch, as her capsule reached speeds of nearly 18,000 miles per hour (28,800km/h), her pulse rate increased to three times its normal level, presumably due to overheating, fear and stress. Five to seven hours into the flight, no further life signs were received from Laika.

"Dr. Malashenkov's report came as a huge surprise to the scientific community.

"'The overheating story has been around,' comments Sven Grahn, a noted space historian. 'But this, dead after five to seven hours, that was a shock to me.'"

Laika's real name was "Kudryavka" (Little Curly). The world had difficulty pronouncing the word, so scientists nicknamed her "Laika", which means "Barker" and is the Russian name given to dogs of her breed (she was a Husky mix).

On the day of Laika's voyage, the New York Times printed: "the Soviet Union claimed a victory over the United States."

__________________________________________

OK, well, now, at last, faithful reader (which would include only myself, probably awake at 3:00 AM, nursing a Scotch, wondering what in hell ever possessed me to start a blog even my wife won’t read), I will hearken back to Herman Melville’s 1851 monumental hippogriff of a novel, Moby Dick, for yet another labored literary allusion, as a pithy parallel to my experience, here, trying to write about a single day in history.

Until this point, I have written 2-thousand, nine-hundred and ninety-six words. Melville wrote 5-thousand, one-hundred and thirty-two words in this famous chapter (“Chapter 32”), pursuant to creating, “some systematized exhibition of the whale in his broad genera.”
Finally: It was stated at the outset, that this system would not be here, and at once, perfected. You cannot but plainly see that I have kept my word.
Melville was trying to write an encyclopedia of “cetology,” the study of whales, called by their Linneaean name, “cetaceans.”

"But I now leave my cetological System standing thus unfinished,” Melville concluded,
… even as the great Cathedral of Cologne was left, with the cranes still standing upon the top of the uncompleted tower. For small erections may be finished by their first architects; grand ones, true ones, ever leave the copestone to posterity. God keep me from ever completing anything. This whole book is but a draught- nay, but the draught of a draught. Oh, Time, Strength, Cash, and Patience!
Witty man, that Melville.

In this grand literary tradition, I too will leave unremarked the Iran-Contra affair, Carol Moseley-Braun’s ascension as the first black woman elected to the U.S. Senate, and Hamid Karzai’s winning of Afghanistan's first presidential election in 2004. Alas, my erection, here, is smaller than even Herman’s.

Better men and women than me are editing Infoplease; their logarithms and algorithms and biorhythms, no doubt superior to mine. No more will I venture out on the guy-wired wing of "Today in History."

Although topics unrelated, the Opium Wars and Captain Sir Richard Francis Burton still fascinate. I confess to liking not just those bright green flash-frozen peas and onions, but also the occasional frozen green-bean, and, with a certain alcoholic affection, when I am in my cups, a nice "Home Run Inn," frozen pepperoni pizza from my grocery's Frozen Foods Section, or even the occasional Pop-Tart from my grocer's Dairy Case (doing my little bit to support a four-point-six billion-dollar industry). I am touched and saddened by Laika the Wonder-Space-Dog’s two fictional fates, and the third, real one. First, the Soviets promised she would die humanely after eating her final, poisoned, MRE rather than die a slow death by starvation; then it was said she had died in a superheated cabin as a result of a malfunction, but after orbiting successfully for (4) days; finally we discover forty-five years later she freaked out and had a coronary shortly after lift-off, yielding the priceless scientific discovery dogs may die when rocket-propelled from a launch-pad in a tin can at 18-thousand MPH.

Yet in spite of these sideshow fascinations I have been tied to the—so to speak—whipping post by this entry, and will post no more using this posting approach. Free-associating wildly, now: I, like certain inmates of Kesey’s Oregon mental health “Combine,” who are mostly voluntarily confined, am free to go. Like Esther in The Bell Jar, "I stepped into the room," and now I am stepping out. Like the proprietor of the Asylum in The Woman in White, I have observed some curious personal changes, which “…no doubt were not without precedent in his experience of persons mentally afflicted. Insane people were often at one time, outwardly as well as inwardly, unlike what they were at another-- the change from better to worse, or from worse to better, in the madness having a necessary tendency to produce alterations of appearance externally.”

Reading this last paragraph I cast myself back to beginning of this posting, when I innocently began, “We are all of us a mass of contradictions in a switcheroo world of paradox. Everybody and everything is always throwing something new at us.”

Now I have “newly,” discovered that as a format for blogging, the "This Day in History,” approach has, in a charming construct of piquant Midwest vernacular, slapped me and called me Sally.

Farewell. Short, and to the point, we muster all our forces forward.

Wednesday, October 17, 2007

Incremental Fossilization: Old, Young, Duane Davy, and Kurt Vonnegut

(Thanks to Dan Stern and SLATE for this photograph of Kurt Vonnegut: AP/WIDE-WORLD)

Ah, age.

Relentless, unpitying, constant-- even when you sleep. The hours tick by, the seconds and decades fleeting, and what do you have at the end of the line?

Well, that was cheerful.

As we rehearse "The Taming of the Shrew," for the Park District, I have had a few revelations regarding age. The most recent event in this process-within-a-process was Monday night, which gave me the impetus to finally write about it; an inkling I had long had but declined to indulge.

One of the oddities about writing is that in the crafts of both news and fiction you learn that the best writers (Joyce, I suppose, or Tolstoy, or E. B. White or the Associated Press) write from the lofty abstraction of the Third Person. Like Eleanor Roosevelt's axiom, too, you are encouraged to write, as much as possible, about ideas. Ideas, I suppose, as rendered into character or action.

As I recall she actually was referring to conversation ("Great minds discuss ideas; average minds discuss events; small minds discuss people"), but for the purposes of writing, other people are characters; hence, as above, ideas. I do not know if, for instance, E.M. Forster might be taken to task by Eleanor Roosevelt for his gossipy internal dialogue writing about Adela Quested, and her elderly friend, Mrs. Moore; I doubt it. Writing about other people renders them an abstract, does it not? Arguably Thackeray writing "Vanity Fair," a monument of scuttlebutt, was "discussing people;" but of course that's literature. A corollary to the Rooseveltian maxim might be that if the people you are discussing are produced by your own imagination then I suppose you can do what you like with them, and it may not be considered mere gossip. Then these characters may indeed stand in for and do the duty of "ideas;" a notion as old as "Pilgrim's Progress."

To further complicate this notion of who is where saying what about whom is the nostrum considered by most everybody to be the final word, "write what you know."

Emily Dickinson, for instance, was able, without attacking Lepanto by sea, accompanying a failed Himalayan expedition, recalling a thousand pages' worth of an entire past world after nibbling a cookie, or running the bulls at Pamplona, to write some of the most deathless poetry extant. All done without stirring far from the here-and-now of her ancestral Amherst; the human condition, and that of her own heart, being the essential palette and canvas.

But now I find I have wandered off into the tall weeds.

In our little Shakespeare production, with the exception of my acting friend Peter (we have done four Shakespeare plays together), and Karen, the director (we have been acquainted for over twenty years, from back in the day when she was my Meisner method instructor), I am the oldest participant.

Interestingly (for me, at my age, married as I am to a young and beautiful wife twelve years younger), I play "Gremio," a part known in the pantheon of the commedia as "Pantaloon," according to my old employer The Encyclopedia Britannicca, a "stock character of the 16th-century Italian commedia dell'arte-- a cunning and rapacious yet often deceived Venetian merchant.

"Pantaloon dressed in a tight-fitting red vest, red breeches and stockings, a pleated black cassock, slippers, and a soft brimless hat. Later versions of the character sometimes wore long trousers (pantaloons)."

In this production I'm wearing a black brocade tunic, laced with black cord, and black brocade knickers, with no cassock (Karen explained to me that despite the definition above, for our theatrical purposes a cape in sunny Italy would be inappropriate). The cap and slippers remain uncorrupted, with the addition of a big black cane. I have also asked for tooth-blackening and an eyepatch, but the luxury of these appliances will probably remain upalong, and I will be bastilled with only my scanty bag of actor's tricks, for getting the desired effect of decrepitude.

This brocade tunic and I have a history. In "As You Like It," I wore it to play the evil Duke Frederick:

She is too subtle for thee; and her smoothness,
Her very silence and her patience,
Speak to the people, and they pity her.
Thou art a fool. She robs thee of thy name;
And thou wilt show more bright and seem more virtuous
When she is gone. Then open not thy lips.
Firm and irrevocable is my doom
Which I have pass'd upon her; she is banish'd.

Later, I saw my colleague Christopher Prentice dogged out in this rig in "MacBeth." In its past, this raiment adorned Keith, Karen's rock-musician-turned-technical producer husband, who was probably coerced into donating it to the theater's wardrobe. I think Keith may have also outgrown the Mittelalter-Rock (think the "Dropkick Murphys," or "Cornix Maledictum") for which he zazzled. Life, as it were, marches apace.

Oddly enough for such a life-affirming comedy as "The Taming of the Shrew," we have had a rather dark time of it, since the unexpected death of Assistant Director Duane Davy. Duane was an ex-Air Force flier, an architect for the City of Chicago, and bachelor. He was a quiet and retiring man, but told some of the most interesting stories about flying.

"You should get a private license," I urged him.

Duane had a distinguished, long head, a long face, and a narrow aquiline nose. He scrunched up his bearded chin and said, "Civilian equipment-- after you've flown military equipment-- is …disappointing."

Karen said she saw pictures of Duane when he was younger. "He was cooler than cool," she said. "Never married, but he had his girlfriends. He had a bicycling girlfriend; he had a camping girlfriend; he had a girlfriend for going out to nice places for dinner."

The Saturday before he died I bummed a cigarette from Duane and asked him how his Lincoln Square rehab was coming along (he bought a century-old house with a wraparound porch and was retrofitting it a room at a time. We had the "King Lear," cast party, there. It had a huge front room and a fireplace, and Duane was installing massive woodwork on the porch, extending it into the backyard with a gazebo and trellis).

"It's going OK," Duane said, blinking his gentle eyes and turning his cigarette in his big fingers. "I finished my bedroom and it's pretty nice. I take it a room at a time, if I don't feel like working on it, I don't. I'm in no hurry." I bought him a pack of Marlboro Lights but there wasn't enough time to give it to him, and two days later I had smoked the last one, for him.

While staying Assistant Director, Duane also was slated to step in to replace the part of the "Pedant," which would have been his first time onstage at the Chase Park theater.

His service was in Plainfield, Illinois, last Saturday. I did not go, but some of the folks in the cast did. His people were dairy farmers, west of here, somewhere. Karen said his sister arrived during Duane's last illness (he suffered an embolism biking on the lakefront and lingered for two days), concerned about the milking.

He there does now enioy eternall rest
And happie ease, which thou doest want and craue,
And further from it daily wanderest:
What if some litle paine the passage haue,
That makes fraile flesh to feare the bitter waue?
Is not short paine well borne, that brings long ease,
And layes the soule to sleepe in quiet graue?
Sleepe after toyle, port after stormie seas,
Ease after warre, death after life does greatly please.


-Spenser, The Faerie Queene: Book I.

The cast, out having a drink, has raised a glass to Duane a couple of times, already.

Onstage Monday night we were trying to execute a bit of business; popping our heads out from behind a set-piece. I found myself trying to work out, with my fellow players Adam and Jon, the order of the business. I suggested maybe I should scrunch down, first, so they might pop out above me, rather than trying to stretch over them. My reasons were that they were more flexible, smaller… I searched for the word…

"Young," Adam said.

"Well, it's not that, exactly," I said, trailing off. Fortunately for my own kismet, as well as the psychic health of our little play, not to mention my own honor, tattered a robe though that may be, I was too taken aback, initially, to make some kind of protest. Adam could well have been referring to my characterization of "Gremio."

"'Petite,' actually, was the word I had in mind," was the unuttered wisecrack ranking among the standard set of clever put-downs, being a tall, broad man, I could have whipped out. My reluctance to resort to violent expostulation was also actuated by the acute consciousness that however big and strong you are at fifty, a youngster half your age who knows how will eventually beat the hell out of you, if only by virtue of staying power. And besides, truly, how weak and foolish can one allow one's pathetic old Ego to make one, even unto personal violence? Finally, I did not turn away with a hollow, old, feeling in my chest, and weep a little, later on.

No. Dragging old Self into every conversation, taking everything personally, suffering delicate injury at every turn; it is too pathetic. "Fear boys with bugs," as Petruchio has it.

In a flash, something reminded me of my old friend Kurt Vonnegut. Well, he was not my, "friend," actually. My sister was an English professor, and I met him in my early twenties at a cocktail party at Iowa State University, down the road a piece from The University of Iowa, where he lectured for the UI Writers' Workshop. I was sunburned and lanky, smart-alecky and confident, young and boisterous, full of half-baked ideas, testosterone, and unguided enthusiasm. I probably raved about Melville, or Sterne, or Kesey, or made lame-brained and pointless conversational excursions into an exegesis of "Player Piano," or "Breakfast of Champions," or "Sirens of Titan" (which I still have never read).

Vonnegut was rather reticent, and with a half-smile and an interested gaze seemed to regard me as a large, strong, playful, and somewhat out-of-control puppy; with a mix of interest and trepidation, bordering on fear.

Whatever I said, I recall he responded, "I understand," with a kind smile and encouraging nod.

He wrote, in "Slaughterhouse Five:"

Roland Weary, eighteen years old, insinuated himself between the scouts, draped a heavy arm around the shoulder of each. 'So what do the Three Musketeers do now?' he said.

Billy Pilgrim was having a delightful hallucination. He was wearing dry, warm, white sweatsocks, and he was skating on a ballroom floor. Thousands cheered. This wasn't time-travel. It had never happened, never would happen. It was the craziness of a dying young man with his shoes full of snow.

One scout hung his head, let spit fall from his lips. The other did the same. They studied the infinitesimal effects of spit on snow and history. They were small, graceful people. They had been behind German lines before many times-living like woods creatures, living from moment to moment in useful terror, thinking brainlessly with their spinal cords.

Now they twisted out from under Weary's loving arms. They told Weary that he and Billy had better find somebody to surrender to. The Scouts weren't going to wait for them any more.

And they ditched Weary and Billy in the creekbed.

Onstage, there, with these lithe young men, was I Billy Pilgrim, timid, frail, and old before his time? Or Roland Weary, overbearing, clumsy, clueless and bovine? "Young," I for sure was not, anymore.

Fifty may be the "new thirty," but a pratfall takes a lot more out of me than it did, before. I can still work like a mule and lift at least my weight, stage-fight with a broadsword (although not for as long a time), and speak thirty lines without breathing hard, but entropy, as it were (and that's a pun), will have it's guerdon of us all.

Monday, October 1, 2007

LA

We went to Hollywood last weekend.

On Hollywood Boulevard we passed two men, talking. The younger man was six feet tall, with a pale complexion and lean physique. He had long legs and stood slightly back on his hips, pelvis angled somewhat forward, his arms crossed over his chest. He had unusually blue-black hair, with a single curl down the center of his forehead. The man he was talking to was sunburned and heavy, with a shaved bullet-head, bald on top, wearing heavy glasses on his nose. His arms were thick and fuzzed, and he was holding a camera. The older, heavy-set man was wearing a Madras shirt with notches in the ends of the sleeves, and khaki Dockers. On his feet he had a new pair of tan Kobe Bryant Nike Air Force One shoes. The lanky young man was wearing red high-top boxing boots and blue tights, red briefs, a red cape and a blue body suit with the Superman logo on his chest.

"And how old are you," the heavy-set man said, with a Midwestern accent.

"Forty-four," the young man answered, with an affirmative nod of his head, that tossed the little forehead-curl a little bit.

Down the street, I heard the main D-C+9-G chord progression of Lynyrd Skynyrd's back-answer to Neil Young, "Sweet Home Alabama;" over it the familiar, still smoking-hot guitar licks of Gary Rossington (before both his arms and legs were broken in that 1977 plane crash), under it Leon Wilkeson's solid bassline (before the crash had almost amputated his arms, punctured a lung, and knocked out most of his teeth); and in place of the late Ronnie Van Zant's hard and streamlined silver pipes I heard a soft, almost ethereal, whispering, sibilant voice-- an angels' voice.

"The Hawks," are Glap, Andy, and Tanya Ross, three kids from a small town near Munich, Germany, who moved with their mom to LA in 2005. They were born, respectively, in 1985, 1987, and 1996. Glap followed the lead-line note-for-note.

Beneath their feet were golden stars etched into the polished granite. Muhammed Ali. Antonio Banderas. John Beradino (born Giovanni Berardino in 1917, he was an American League infielder for the St. Louis Browns, the Cleveland Indians, and the Pittsburgh Pirates, and an actor. He had a guest role in a 1955 episode of the TV series Adventures of Superman, in an episode called "The Unlucky Number," playing a small-time criminal struggling with his lifestyle, who wanted to reform. After appearing in more than a dozen B-movies, as well a supporting role as FBI agent Steve Daniels in the espionage series, "I Led Three Lives," he was offered the role of Dr. Steve Hardy on the soap opera General Hospital. He played the role from the show's start in 1963 until his death from pancreatic cancer in 1996). Edgar Bergen. Halle Berry. Olive Borden (born in 1906, she was an American actress in silent and early talking motion figures, known for her pitch black hair and overall beauty. She was one of Mack Sennett's 1924 bathing beauties. She died October 1, 1947). Matthew Broderick. Sandra Bullock. Jerry Buss (born in 1934, Gerald Hatten “Jerry” Buss is the owner of the Los Angeles Lakers basketball team). Jackie Chan. Ronald Colman. Spade Cooley (Donnell Clyde 'Spade' Cooley was born in 1910. He was an American Western Swing musician, big band leader, actor, and television personality. His career ended when he was arrested and convicted for the murder of his second wife, Ella Mae Evans. He died in 1969).

Kevin Costner.

When The Hawks started to cover Eagles' tunes I lit a cigarette and moved on. (Come on, man. I had a rough night and I hate the fuckin' Eagles, man!)

People speak of "the street of broken dreams," and when they do I am not sure where that street is anymore, in America. Reading Peggy Noonan in the Wall Street Journal today made me think it was that street, or maybe Main Street. Not Hollywood Boulevard, where three munchkins from Münchner can rock out and make a little coin.

"The Bushes are winners;" she wrote, "the Clintons are winners. We know this, they've won. The Bushes are wired into the Republican money-line system; the Clintons are wired into the Democratic money-line system. For a generation, two generations now, they have had the same dynamics in play, only their friends are on the blue team, not the red, or the red, not the blue.

"They are, both groups, up and ready and good to go every election cycle. They are machines. There are good people on each side, idealists, the hopeful, those convinced the triumph of their views will make our country better. And there are those on each side who are not so wonderful, not so well-meaning, not well-meaning at all. And some are idiots, but very comfortable ones.

"Is this good for our democracy, this air of inevitability? Is it good in terms of how the world sees us, and how we see ourselves? Or is it something we want to break out of, like a trance?

"It would be understandable if they were families of a most extraordinary natural distinction and self-sacrifice. But these are not the Adamses of Massachusetts we're talking about. You've noticed, right?"

Yes, we have.

But it is the transcendence of all we are and all we have or have not, to be in a state of constant becoming, that is the chief aim of man. Man is but a reed, the most feeble thing in nature, but he is a thinking reed, said Blaise Pascal, summing up the transitory nature of our consciousness. I saw it once on "The Tonight Show," with Johnny Carson. He raised his skinny Nebraska finger and said, "Here comes a moment," then he touched The Desk, and said, "here it is," and then, sweeping the flat of his palm out toward Tommy Newsom, said, "now it's gone." He raised his eyebrows at the guest, who I think may have been Carl ("Billions and Billions") Sagan.

Point well made, Carnac the Magnificent, and sans the gaudy turban.

The attainment of power for power's sake is not new; the achievement of notoriety purely for the purposes of notoriety seems as if indeed it is new, a product of the Media Age, when celebrity for celebrity's sake has little to do with natural beauty, extraordinary ability, creative power, incisive thought, or an all-encompassing heart. Nobility in common men and women was never rare. Arguably nobility and true strength of character for everyone is more possible, more likely, more conceivable, than at any time in history, since so many datums of the lives and accomplishments of women and men are now available, along with their perversities. "Finally," said Walt Whitman, "the morality: 'Virtue,' said Marcus Aurelius, 'what is it, only a living and enthusiastic sympathy with Nature?' Perhaps indeed the efforts of the true poets, founders, religions, literatures, all ages, have been, and ever will be, our time and times to come, essentially the same—to bring people back from their persistent strayings and sickly abstractions, to the costless average, divine, original concrete."

The current benightedness of American leadership is only a local phenomenon; a quark, a comet, a temporary series of quantum and evanescent events, against a firmament starred by the Jeffersonian, Lincolnesque, Wilsonian, Rooseveltian, and Trumanesque; somewhat more permanent embodiments of a greater celestial polity.

According to Wikipedia's article on relativity, "Physical observers are considered to be surrounded by a reference frame which is a set of coordinate axes in terms of which position or movement may be specified or with reference to which physical laws may be mathematically stated.

"An inertial reference frame is a collection of objects that have no net motion relative to each other. It is a coordinate system defined by the non-accelerated motion of objects with a common direction and speed.

"An event is something that happens independently of the reference frame that might be used to describe it. Turning on a light or the collision of two objects would constitute an event."

When the lights go on, they go on at certain coordinates, in one reference frame. Passing by on the street outside, what would you see, in another reference frame, moving relative to those first, certain coordinates, at a particular velocity v along the x axis?

If you are hungry, and the lights go on at a turkey dinner, do you then break in, and violently seize a drumstick? Do you pull your jacket tighter, search your pockets for a smoke, slouch down the street? Do you pass from the pool of one lighted streetlight to the next, a slow-moving cipher in the chilling night? Do you pass, relatively, from one stasis to the next along a motion parallax, opposite the stuffing and sauce, or hope to make friends later, much later, in the Trailways bus station, at the soup kitchen, toward a new understanding of independence, along a continuum of loneliness, your scrotum contracting in the chilly wind, your eyes tearing, and the pinch of broken soles creaking as you mobilate ahead, all these independent experiences affirming Hubble's constant, the redshift of galaxies, the Universe's expansion, and how long ago it was when all your family were collected around a single board, happy and in love?

Current research estimates this was approximately 13.7 billion years ago, but with significant ambiguity and founded only in faith, in various model family postulations, and studies of meerkat populations in the Kalahari.

On August 17, 2007 two German physicists, Gunter Nimtz and Alfons Stahlhofen, both of the University of Koblenz, said they had broken the speed of light. According to Albert Einstein's special theory of relativity this is impossible.

In an experiment, microwave photons traveled "instantaneously," between two prisms separated by distances of a few millimeters to a meter. To propel an object faster than the speed of light (186,000 miles per second per second), Einstein posited, would require an infinite amount of energy.

Where this energy might originate, how it will be used, and where it will go afterwards, the German physicists would not, or could not say. No matter disappears; everything transforms.

The Hartman Effect predicts that time becomes independent of barrier length for thick enough barriers, ultimately resulting in unbounded velocities, so individual photons may appear to be traveling faster than the speed of light.

Once upon a time we sat in a rooftop garden in Lincoln Park. Harry was angry and hurt. Jerry was serene and unperturbed. Joe was big, sheepish and shy; he was the architect. I was the Man in the Middle.

"'Everything That Rises Must Converge,'" I quoted, apropos of nothing, to break the silence. It was a short story by Flannery O'Connor. I thought everyone had heard of it.

Pursing his lips over his iced tea, his sunglasses reflecting the Lincoln Park treetops swaying in the summer breeze, Jerry snapped, "must convert. Everything that rises must convert." He wrapped his mouth, already starting to wrinkle, around the straw. Then he used his construct in a sentence, so I would try and remember it, probably: "During the next century, sea level rise could convert as much as twenty-two percent of the world’s coastal wetlands to open water," he said. Later Jerry was stabbed nine times in his foyer by a cocaine dealer and killed (the houseboy found him), and Harry died of AIDS. Joe's office is still in the Northwest Tower Building on Damen and North, and I am still acting and trying to write, although I choose my professional acquaintances more carefully, now.

The Universe wastes nothing. Where, finally, will everything come to rest? At the scene of a prehistoric Mayan blood-rite? In an immanentizing and scornful séance in the court of Hammurabi? At the end of a length of dirty gold chain and hardened drops of amber flashing above the flames in a fire pit surrounded by Picts in ancient Ireland?

The Hartman Effect also predicts one might be murdered in Encino with a revolver, shot multiple times in and around the head, by a cocaine, margarita, and Zoloft-addled wife or lover, your ashes scattered over Santa Catalina Island's Emerald Bay, only to subsequently enjoy an afterlife in syndication as a Conehead.

Clearly, The United States is getting the leaders it deserves, in spades. Whether this is due to pop culture (where every truth no matter how righteous is reduced and distilled to its potential market in music, image, and idiom) or a leadership in thrall to the oil patch and Detroit, or addicted to perks of the Presidency like oral sex from the staff or payoffs from Chinese lobbyists, is unknown. Famously, Edward Gibbon said, "History is indeed little more than the register of the crimes, follies, and misfortunes of mankind." Less famously, he also said "Unprovided with original learning, unformed in the habits of thinking, unskilled in the arts of composition, I resolved to write a book."

Seldom have I been so inspired.