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Saturday, March 29, 2008

Shelter Journal, 2005

(A self-serving account of a middle-class white man in homelessland. Basically, I am buying time until I can get my new post, "Othello," posted, about the current Chase Park play, with interviews of its diverse cast and their thoughts and feelings on the topics of race, sex, love, death, vengeance, and the performance of Shakespeare as community service. The names in the below journal have been changed).

Will, Jeanine, Norbert and I met at the Zephyr (which has since closed), a lunch counter in Ravenswood. We left three out of four vehicles behind and drove to the service site. At the site, which is in the basement of a church facility on Lawrence Avenue in Uptown, we parked in the lot east of the building. Homeless people were gathered at the entrance of the easternmost north door of the facility, where we entered. We went through the door, which lead immediately down two flights of stairs separated by a landing. We proceeded through a large public area full of homeless sitting at large round banquet-style tables and took an elevator to an upper-floor suite of offices where we were greeted by K., the REST Volunteer Coordinator. Everyone sat at a conference table and the orientation began.

What is humanizing about the work, first, is the consciousness of the problem, new to many of us. The paradox of all service to those less fortunate, and arguably an aspect of human love itself, is the objectification of the person or persons one helps or loves. It is a fact of life that one's responsibility for one's brother must include an aspect of objectivity. Love, like vengeance, is often more responsible and useful served cold. That which may, in the pedestrian and surface world, seem dehumanizing-- the institutionalization of human misery and warehousing of damaged human beings-- may be the only means to the remediation of their suffering. That which is life-giving is Godly, and well beyond the values of casual conversation. The common dispassion of doctors, teachers, social workers, soldiers and police all testify to the necessity of those in the caring and correcting professions to suspend their personal sympathies for the period of time in which they must truly engage the enemies of violence, ignorance, hopelessness, addiction and poverty.

Descending the stairs, the ill-clad, not lately washed, but uniformly boisterous homeless were all around us. The stairs were clogged with people, and the homeless men and women who met us outside on the street preceded and followed us through the door, calling, "Volunteers coming through! Make way for new volunteers!" and the queue parted for us to pass. Downstairs, the institutional yellow of the walls, grayed linoleum, and the not unpleasant smell of human perspiration, cleaning products, and savory cookery was pervasive. Present, too, was the sound of talk: low, civil, and accommodating, not unpunctuated by laughter.
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Awoke at seven o'clock, dressed in old flannel shirt, blue jeans, hiking boots, frayed Navy blue quilted coat. Packed notebook, writing instruments, work-gloves, and bandanna. Stuffed wallet, cel-phone, notebook, eyeglasses in deep inside jeans pocket, switched off cel-phone ringer. Had my ride drop me off two blocks from Lawrence, in front of the Aragon ballroom, and walked the remaining (2) blocks east.

Met the security guard, Nikki, and at her instruction entered and went down the stairs to the common area. Stood in line until V., the registrar, called out to me, initially mistaking me for a client, which was gratifying (my intention was to not attract attention, and to appear to "belong"). Told her I was volunteering, and she showed me where to walk to get to the kitchen.

When I went into the kitchen, the early-morning cook was just cleaning up, and showed me the stainless-steel sink, where two or three large pans were waiting to be cleaned. He gave me a steelwool soap-pad and I cleaned the pans. Afterwards, nothing was left to be done until the lunch cook, Isaac, arrived, so I returned to the common room and sat down at a table with two men asleep with their arms and heads on their backpacks. They covered their packs with their arms, and their heads on top of their arms, on top of the tables.

Two more people entered the kitchen and took off their coats. I re-entered the kitchen to work. Bob, an ex-addict, and I prepared a tray of doughnuts for a mid-morning snack. Three 2-foot by 4-foot trays were filled with doughnuts and rolls, and Bob told me to wear plastic gloves and hand the baked goods to the clients. "Do not let them touch the doughnuts," he said, but he did not say how to prevent it. We carried the trays out to the common room and the homeless men and women queued up. We handed out all the doughnuts without any incident, although one tall Caucasian homeless man twice took doughnuts with his own hands, not from my plastic-gloved ones. Bob and I exchanged looks, but because he only touched the doughnut he took, we thought it expedient not to mention it. After the doughnuts were all gone, I took the trays into the kitchen and scrubbed them. Then I went back to the table where I had last been sitting, and reoccupied my chair. Bob came out with a mop to clean up where some coffee had been spilled, and I took it from him, which he appreciated, and mopped the indicated area. The homeless clients talked about "volunteers," within my hearing, but my impression was they were probing for a response, which I did not offer. I believe they did not know, given my silence, and my dress, and my unshaven appearance, whether I was a volunteer, a client, or an as-yet undetermined species.

The kitchen staff with whom I worked was Isaac, Jesse, Will, and Robert. Isaac was the head cook, and Will was his assistant. Jesse was another assistant, as was Robert.

Introducing myself to Isaac, he acquainted me with which tasks I could assist. I was instructed to sit out in the common area until he beckoned to me to help. Soon afterwards Isaac and Robert walked across the stage at the east end of the common room, and I got up to follow. Isaac told me to take two boxes into the kitchen, which I did. Then I sat down again at my place at the table. Soon Isaac beckoned to me, and I went into the kitchen to begin to help in earnest to prepare the lunch.

The lunch consisted of spare ribs, steaks, chicken and pork chops broiled for the volunteers, and a huge pot of beef and vegetable and noodle soup and cornbread for the clients. My tasks included:


  • Mixing and stirring soup ingredients
  • Cleaning trays, pots and utensils as they were used
  • Blending eggs, milk, mayonnaise and butter with cornbread mix
  • Tending boiling water for noodle preparation
  • Turning cornbread in the oven to insure even baking
  • Assisting Will and Isaac in offering an extra set of hands for oven-work
  • Buttering finished cornbread
  • Blending finished noodles into the soup

During my own period of poverty and disenfranchisement I was often used by employers, men and women, for the worst forms of drudgery and work, and had learned at that time how to put my sensitivities in a state of suspended animation and to merely accomplish the mechanical work in front of me. At that time in my life I learned to attack distasteful and grimy tasks with a steady and relentless vigor, determined to not allow unpleasant jobs to master me, but instead to master them; and to subject myself, in the Zen manner, as chela to the master-- whomever the master at the time may have been, and whatever his or her intrinsic worth; to subject myself to the onslaught of fate, and to serve selflessly.

To immerse myself in the company of the men in the common room, most of whom would not speak, or make eye contact, was to travel back in time to that place in my own history where such behavior was not a volunteer activity but rather a means of survival.


Those who will make eye contact will very often use such an opening as a proxy to more intimate contact-- seduction or attack. One keeps one's eyes to oneself in such circumstances, and this experience was not different than it had been for me twenty years earlier, and was as successful, with a single small exception.

Later that morning, when we had got to know one another, Robert said to me, "That you wife dropped you off this morning?" I told him it was.

"You have a good eye," I said.

"You got to," he responded.

Despite my careful precautions, I had been to a small degree found out; and the moment was instructional, since to be found out is the essential experience of the disenfranchised. To be known in one's most intimate vulnerabilities is not the modern, or affluent experience. So the disenfranchised keep their feelings to themselves and from each other, having been otherwise so mercilessly exposed.

As it had been for me in the past, my devotion to labor, and parochial focus upon whatever the object of that labor, was salvation. No world outside the cleaning of the pans, no experience outside the stirring of the soup, no occupation outside the watchful waiting for the cornbread to brown, was freedom; freedom from having no other purpose. Freeing oneself from aloneness in the consciousness of inaction, and having a responsibility, however slight, however meaningless, became respite from the meaninglessness of no occupation save aloneness in ego, in thought, in inaction. Purpose, howsoever meaningless and menial, is the spar to cling to, for the man cast upon the limitless sea of the undefined and directionless possible.

As I had hoped, Isaac, and Will, and Jesse, and Robert, soon forgot my chimeric status as a volunteer from a university, and as a result of observing my "inner-ness," and my dedication to the labor, opened to me as equals. The nature of the work of cookery, making do with ingredients not limited in quantity but in variability, and the feelings of homelessness, their own struggles to achieve independence– all poured forth to a degree limited only by their own pride in having achieved so much after such extravagant suffering, and to the degree that a kindred soul might understand, from the inside, as it were, the feelings of being essentially outside the normalities of bourgeois experience.
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"'These,'" Will said, grinning. "'You can get you some of these,'" he said, joyously jingling his keys, the sacred objects of his freedom. Will was quoting his conversation with a homeless friend, and how he adjured him to "'keep your eye on the ball,'" and "'keep your head down and do your work,'" the principles we, by then, knew we both shared. These were the principles we both, by then, knew we had both learned in varying degrees of the hard way.

"He's my big brother," Will said of Isaac, as he passed. Isaac himself remained stoic, and quiet, content like leaders everywhere to allow his second-in-command to offer a digest of his intent and evaluation. These two men, one towering and statuesque, two meters tall and 250 pounds, the other as tall but weighing half as many pounds, were four hands and arms connected to a single will. The cookery was accomplished by one completing to perfection the tasks started by the other, when one was in the kitchen and the other out. No talk, and no writing, could be as complete as the Arab object-letters of their shared assignments. The meat was browned, and added to the soup. The cornbread mix was emptied from the package to the mixing bowl, the eggs cracked, the butter and milk and mayonnaise added, the mixing done, the meat for the volunteers cut and browned and turned, the cornbread reversed on the racks, the noodles cooked, all without recourse to conversation, discussion of process, parsing of responsibility.

"Al dente?" Will asked me, as I pinched the steaming macaroni.

"Yes," I said.

Robert said goodbye, Tina, a heavy-set black woman with a mis-set jaw, broken and wrongly-healed in some long ago violence, said thanks, and called me "baby." Jesse, small and dark and rotund ("powerful. Don't mess with Jess," Isaac said), wished me well, and said how much they all looked forward to working together with me again, soon.

At the end, Isaac took my hand in the soul-grip, and we snapped fingers away (when we first met he had given me a soft and regular hand-shake). Will grasped my hand in the classic shake, with astonishing strength, given the spareness of his arms.

"Not many people come here wanting to actually do something," Will said. I looked into his eyes and they were surprisingly clear, and snapping brown, like agate stones in a clear stream.

This experience did not challenge any assumptions or stereotypes I had cherished, but rather reinforced the lessons I learned so painfully many years before. Men are but men, whether Jesse ("The Powerful"), or Jack Welch, CEO of General Electric. At their base, in their heart of hearts, all men wish to do is to learn, and teach; to be of use to their fellow-men; and perhaps to love and be loved. Absent learning, and absent purpose, men become little better than animals, and worse than many animals, who are faithfully charged by instinct, and become perverse, violent, and malign with confusion and desuetude.

Of homelessness, I learn, but have to again re-learn, even the petty lessons of my own small history. What then is the legacy of us all? I am but an average man, no different from most, and inferior to many. The lesson I cannot fathom is why, in a just society, are not the lessons I have learned permanent in law and custom, and so saving those, the weakest among us, from destruction? Why are some the chairmen and some the charwomen? How does society measure and reward success? What is the essential nature of fairness, and equity? What is our duty to our fellow-men and -women? How are the mighty humbled, and the humbled raised up? Who are the heroes?

Politically, neither the Socialist nor Capitalist conceits, nor, apparently, the reality of our mixed political economy, answer.
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Arrived at REST at 0900 sharp. Moving through the community dining-room, full of mostly men and some women, with my toolboxes in each hand and under my arm, I was unsure how to get through the crash-bar door at the west end of the room without setting off the alarm. As I approached the door I slowed my walking pace, and heard the shouted, "Sir! Sir! " which was the usual address of a case-worker to a client-- or any other man. Women are called "ma'am." Everyone at REST is addressed as "sir," or "ma'am," at least until a name is learned. Since I had only been a volunteer for four hours served almost three weeks earlier, this particular caseworker of course did not know me.

Seeing my equipment, however, she shouted "go on!" but I could not understand her. A tall, gaunt man with a long face, and uncombed hair said, "go on though," and when I looked at the door somewhat skeptically, with its bright red-and-white "EMERGENCY EXIT ONLY," crash-bar, he smiled, showing big, stained teeth, and said, "just push on it, go ahead."

"You sure?" I asked, smiling with him. "Last thing in the world I want is for this thing to start ringing like crazy."

"Go on," he said again, with a nod, still smiling. "It'll be all right." I pushed on the door and it opened with a mechanical ratcheting, but no alarm.

The elevator rattled to a stop and the door opened. I did not remember on which floor the REST offices were located, and since I was alone on the elevator and there were only four floors I pushed every button. I rode up to the first floor, and two white women entered the elevator, an attractive younger woman wearing gray pants and a pinstriped blouse, and a full-figured middle-aged woman with gray hair. A slightly-built, older man also got aboard, wearing a suit shiny with age, and a mustache and stubble of white beard. The middle-aged woman looked at the three activated buttons.

"I'm a volunteer for REST," I said, "and I pushed every button because I didn't know which floor I was supposed to go to," I said.

"Well, you're in luck," the older, gray-haired woman said. "That's where we're going-- you can come with us," she said, and she extended to me her hand. "This is J., she's a caseworker, and I'm E." J. smiled sweetly, and said hello, and I said my name.

"And what's your name," she said to the older man.

"Frederick," he said," quietly.

"Nice to meet you, Fred," E. said.

On the fourth floor. I waited in the lobby with a tall, young black man with polished skin and angular features, who looked like an athlete. He had a backpack with him, and soon a caseworker came out to see him. After a while, K. , the REST Volunteer Coordinator came in. She said to come with her to the theater. My curiosity turned to wonder as she opened two institutional-steel doors and we entered an enormous theater. The ceilings were at least forty feet high, and the space itself a hundred-twenty feet square. The walls were adorned with fluted plaster faux-columns, and twenty-five feet up each wall, near the cornice of the wall, were color murals, dusky with age, six feet high and ten feet broad, looking like the ones painted by Grant Wood and Thomas Hart Benton during the depression. The landscapes were brown, green, tan-- the muted colors of that age and public-art style-- and softened by dust.

The room was full of stuff.

Pretty soon K. came back, and said I would be moving furniture with B., another caseworker, and three homeless volunteers.

B. was a petite young woman with a ponytail. She came in with three other people behind her, and from this vast room full of furniture, clothes, and appliances, chose a large chest of drawers, a bookshelf, a sofa and matching loveseat, and a marble-topped end-table. Two other men, both black, and a heavyset white woman and I completed the crew, and carried the furniture to the elevator and out to a van. We loaded the furniture and climbed into the van.

The first stop was in Evanston, on east Howard. But before we could unload the sofa and bookshelf the van in which we were riding was struck from behind by a Volvo sedan driven by a middle-aged black woman. B. got out and talked to the woman. Then with great composure and efficiency she got back in the van, turned into the alley into which she was turning the van when it was hit, and we unloaded the furniture.

The heavyset woman stayed in the alley with the van, and B. and I and the two black men went up to an upper floor in a noisy service elevator. We were tightly fit into the elevator, with the large chest of drawers, the sofa, and the bookshelf. Getting to the right apartment we met a cheerful black woman in a bright-colored wrapper. She asked if she wasn't supposed to get the love-seat to match the sofa, and B. said no, but maybe another piece could be obtained later. We removed a broken chest of drawers and took it to the elevator while B. took the small bookshelf to a tenant on another floor.

At the second site, we unloaded the marble-topped table and the love-seat and took it to the third floor of a flat of apartments. There, we met a heavy-set young white woman with her hair pulled back in a tight ponytail. The apartment smelled strongly of natural gas, the kind used for cooking and heat. The apartment was heated by radiators, so one of the black men, an older man with gray-flecked hair dressed in a gray windbreaker, and myself, who both had experience with appliances, checked all the pilot lights and found them properly lit, then moved the stove away from the wall and inspected the fittings. The gas smell was strong behind the stove, so the older black man told me to close the valve if I could, and I did.

Then we suggested to the tenant she should talk to the gas company about coming out and inspecting the stove, and until then should only open the valve behind the stove to cook on the stove-top, and to make sure to re-light the pilot light in the oven to use it. B. had the tenant's name, and she promised to call the gas company on her behalf and have them come out for an inspection. Then we left and headed back to Uptown and the REST center.
_____________________________________

The first feeling I have arriving at the precincts of REST is one of belonging-- even though I perceive I do not belong. Perhaps it is the shared experience of not-belonging which is the common, though paradoxical, denominator. The case-worker's insistent politeness, enacted to inculcate in the clients the same politeness, the all-in-this-togetherness of the clients and the staff and the case-workers, serves to bind together everyone in the building, as on a ship at sea, where the potential for necessary, unavoidable mutual reliance is ever just over the horizon.

Among the perceptions I had of the case-workers, I came to know K. best, E., B., and then J., whom I only met on the elevator.

K. is from Seattle, and was trained in social work through the Lutheran church. E. has a Southern accent, and has been the longest-serving director of REST. B., who drove the van to the two furniture-moving sites, seemed the youngest although I do not know for sure. Among them all, unrufflability, calm, practicality, and a kind of firm kindness seemed the most common characteristics. These characteristics expressed themselves in the way they managed allocation of work, handled crises, and interacted with the clients. When the client-woman at the first furniture-moving site asked B. where the companion piece to her sofa was, B. answered kindly but firmly that they had limited pieces of furniture to go around, but that possible something could later be done. She looked the woman in the eye, and without condescension or evasion, simply spoke the practical truth of the matter. It is not beyond imagining that a slight, white, young woman might have some trepidation addressing an older, and certainly in the brutal ways of the world, almost certainly wiser woman, but B. spoke in a tone of equality and pragmatism in which it would have been hard to find any fault of superciliousness or insensitivity. At the second furniture-moving site, the young white woman there clearly did not sense the smell of natural gas, or understand the potential consequences of a gas leak, but B.'s firmness of purpose and solution-oriented approach did not address the underlying causes of the young client's lack of knowledge, but simply and confidently addressed the issue: "The gas company will call on you," was the topmost solution, and B. grasped it without hesitation.
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Remembering my classmate Dennis's news article about the skilled industrial worker who lost his house and car and job, and found himself moving, in late middle age, from one shelter to another throughout the suburbs, I reflected that the two black men and white woman with whom I worked moving furniture shared the characteristic, with this man, of indomitability. Emerson is supposed to have said, "ignorance is merely the absence of knowledge," but in the transcendentalist New England of a century and a half ago, lack of knowledge carried with it few of the lethal consequences it does now, at the unstable nadir of the Information Age.

The two men and one woman with whom I worked, and the two client-tenants to whom we provided some new furnishings did not lack the energy or will to live, and work, but most assuredly were isolated from the world of modern commerce, and the rapid changes whirling all around their conditionally static lives-- in media, business, and culture-- changing their lives without their knowledge.

We are all at the mercy of The Unseen Hand, Adam Smith's unknowable but tidal economic effect on the headway of the vessels of all our lives and endeavors. But if we who are of the "educated" class are all, as in Melville's construct impending upon spirituality, "too much like oysters observing the sun through the water, and thinking that thick water the thinnest of air," in connection with our understanding of our place in the world, how much more benighted are the poor, and then another rung down the social ladder, the homeless, whose prospects are limited to obtaining a meal and a place to sleep. Samuel Johnson had it right: "Nothing concentrates the mind of a man more than the knowledge he will be executed in the morning," and the scrutiny the homeless must bring to bear upon surviving the present and the most immediate of futures-- the morning, as it were, and then each morning serially after that, ad infinitum-- is near-incomprehensible to women and men with shelter, and food, and books with which to get surfeit, for a time, from the final reckoning. The homeless, and the desperately poor and underemployed, cannot put off this reckoning for a day, a night, or even an hour. They are imprisoned in the present.
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Upon returning from furniture-moving, I was told to wait in the theater, a vast high-ceilinged room in which REST stores all sorts of furniture, clothes, and appliances. Pretty soon K., the REST Volunteer coordinator, returned and led me to the east wall of the space, and indicated a stack of broken and dismantled banquet-room-type chairs.

She asked me if I could fix them, and I said I could.

The chairs were made of a steel frame, to which was screwed a foam-packed vinyl pad sewn and glued to a Masonite backing. The chairs, like everything else in the room, had been donated. The Masonite back on most of them had been damaged by water, which caused the backing to warp, curling away from the dimensions of the steel frame of the chair for which they were designed.

The chairs had been worked on before. Plastic drywall anchors had been inserted into the cushions. The cushions had hardwood battens embedded locally where the original screws adhered, but the previous workman had tried to anchor the fasteners (wood-screws) with the plastic anchors, sometimes nudging aside the hardwood battens, but finding nothing in the padding itself into which the expanding plastic anchors could open out, the attempt had been abandoned. Plastic anchors were still stuck in the frames of several chairs, with the gossamer threads of the cushion-padding itself wound around them. Each chair was separated from its cushions.

As K. and I reviewed the chair-work, I mentioned some supplies, and she responded that E. would be coming in with some materials. Soon E. came up to us, holding a box of metal wall-anchor-and-screw assemblies. I was confident these would not serve, but nonetheless said I would take some time to handle the project and then would report.

The anchoring-technique could not work in that the expanding anchors, whether plastic or metal, had no surrounding material in which to expand, in the worst case, and in any case, the existing hardwood battens designed in the cushions were more easily manipulated into anchoring the fasteners, as designed. Upon inspection I found that the problem in attaching the Masonite-backed cushions to the steel frames was that the hardwood battens had been routed out by a too-vigorous screw-driving. The simple use of a bigger fastener-- a thicker wood-screw-- would probably work perfectly.

When I went to E. with the solution, my supposition was that we would go the hardware store and get the right screws, but instead E. produced a plastic pigeon-hole with thirty to forty drawers full of all kinds of hardware and fasteners. Then E. brought out a series of plastic bags, and in one of them I found a large number of identical screws, and these worked perfectly for the seats of the chairs. The back-cushions of the chairs required a somewhat different dimension of wood-screw, but I was able to discover miscellaneous fasteners that eventually all worked.

In between chair repairs, E. asked me to come with her to her office. There she had a Dust-Buster hand-vacuum she wanted mounted on the wall. Watching me closely, she asked if I would use anchors, or just screw it into the wall.

"Anchors," I said, and I went and retrieved the box of metal wall-anchor-and-screw assemblies she had earlier proffered.

As I was selecting a drill-bit to bore a hole for the anchors, E. stood over my shoulder.

"Will it fit and not slip off?" she asked. I held up the chassis of the Dust-Buster receiver, where I had test-fitted the screw-and-washer from the assembly.

"Yes, ma'am," I said, and she nodded.

A few minutes later the appliance was solidly rigged to the wall. E. seemed pleased, and I went back to the theater to resume repairing the banquet chairs. Soon, I had completed five chairs, and E. came in to inspect them. It was lunchtime for the case-workers, and she had me collect three of the rebuilt chairs and take them to the conference-clinic room which the case-workers used for breaks. I placed the rebuilt chairs at her direction, and she publicly praised my work.

The caseworkers applauded and I acknowledged their kindness and quickly left. Soon, all the chairs had been repaired. E. sat in a chair about the repairing of which I had been somewhat dubious, and said, "If I can't break it, it'll be fine," or words to that effect.

K. then came in and said E. wanted me to try and repair a wood-work lobby chair, which we pulled into the light. I spent much of the afternoon working the wood of this chair. The chair had been worked on before, and glued with more than one type of glue, which had fouled the joinery. I found a cap anterior of the broken arm-handle which had been overlooked, and prying it off found a carriage-bolt used as a sleeper under it. I knocked out the carriage bolt, which had been bent, its threads chipped, and set it aside. Reporting to E., she was able to produce some wood filler, and I scraped and stripped the old glue from the chair, and filled the wood preparatory to grinding and reassembling it. Getting with the spirit of the program, I caught myself asking E. if we could get some hardwood dowels to complete the work, and instead said if she could spare a wooden pencil-stub, that would suffice. She gave me an old pencil to use as a dowel.

The final project of the day was some sheet-metal work involving replacing the hasp on a steel cabinet in the kitchen's basement pantry. Again, rifling the plastic pigeon-hole, I was able to collect the hasp and the nine nuts-bolts-and-lock-washers I needed (eight setups for the hasp and one extra), and K. lead me down to a dingy sub-basement off the kitchen where I had served my second service-learning term a few weeks before. We met Willy, a youngish middle-aged black man, who was that shift's kitchen supervisor.

"Watch out for my little mouse," he said, and laughing, left us there. I told K. I would wrap it up and see her to sign out for the day.

The room was eight feet high, six feet long, and four feet across. The steel cabinet had had its previous hasp-and-lock assembly forcibly removed, and a taped-up sign on the cabinet specifically prohibited, by name, a certain individual from accessing the cabinet's contents.

Using a Vice-Grip and flat driver, I removed the old assembly, and bored holes for the new one using a high-speed 5/8" bit and a cordless driver.

In applying the new hasp assembly I dropped a bolt. Leaning down in the dim light, I found it against the wall behind some 5-gallon capped steel-and-cardboard cans. In the corner a few feet away was a neat pile of rat droppings, the size and color of coffee beans.
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In the theater alone, I found myself looking at a drawer full of writing instruments.


Taking a pen imprinted, "Courtyard Suites-ATLANTA," my feelings were somewhat abstracted from the problems of homelessness, and I perceived, musingly, that the trip this promotion, a printed ballpoint pen, traveled to get to this spot, in my hand on a heavy wooden conference-room table with the finish flaking off, in a vast unused theater utilized as a warehouse, in a homeless shelter in Chicago's Uptown, was not unlike the journeys we all make, ant-like, across the surfaces of our lives. Who brought that pen up from the tropical state of Georgia to the lake-watered and arboreal Chicago? Was it a traveling salesman who left it in the drawer of a desk which was then donated to REST? Did E. go to a convention in Atlanta and bring it back (although I thought this was unlikely).

It is difficult to not restate my own subjective feelings of suspension in time. Without a college degree I had arrived in Chicago and talked myself into a job as a wire-service rewrite man, then as an editor for a venerable jazz magazine, and then I was unemployed in a great metropolis, knowing only strangers.

After a while I got a job at the Second City nightclub-- repairing the cane-backed chairs. I learned my "talent," my "ambition," my "dreams," meant nothing-- at some point, not even to me. What meant something-- what signified, was how well and quickly I could repair chairs. The children from Cabrini Green were able, easily, to sneak into the old, pre-gentrified Piper's Alley in Old Town, at Wells and North, where Second City is located. During the day, as I drilled and sawed, collecting for the first time some of the hand-tools I still use today (all the tools I grew up with, in my late father's tool-chest, had been lost, in the trunk of my car when it was stolen my first three weeks in Chicago), I could feel their eyes upon me: dark, curious, quiet until they sidled up, shy and interested, and then, finally, when they did not fear me and knew I accepted them (the easy first step to the much rarer love so many of them lived without), bright with shouts and laughter.

That afternoon at REST, I could feel the same forms around my periphery. The same initial skepticism, the expectation of misunderstanding, or rejection. Finally, the desire to serve.

Two shifts of young black men worked as custodians and cleaning-men during this day at REST. In the middle of the morning, the first of them asked to borrow a flat-bladed screwdriver, and I handed it to him. He was working to open the refill-door on a bathroom soap dispenser, but the screwdriver was the wrong tool, and he was not used to using hand-tools. I asked him if I could try, and he held the appliance over to me. We held it together for a minute, working on it, but in four hands the work was clumsy.

"It's all soapy," he said.

"It's all right," I said, and took the silver metal container from him. I snapped open my utility knife. It is an elaborate knife, with a delta-shaped utility blade on one end and a viciously serrated, crescent-shaped blade on the other. The utility blade was too thin and brittle for bending open a stubborn metal hinge, so I used the thicker, crescent-shaped blade, and his eyes widened a little. Working the blade into the crevice of the tiny stainless-steel door, I slipped in the driver-blade after it, and setting down the knife, worked open the access-door with the driver. Gratefully, he took the appliance back.

Later, this young man said to me, "Five o'clock! Time for me to GO," after almost an entire day of working around me but not speaking a word. The shared work of opening the soap-dispenser had broken the ice.

Holding steady throughout a day of work is a great satisfaction, and the accomplishment of simple goals among those gratifications of life which upon accumulation, can aggregate to what might be considered certainly one of the forms of personal success. If this is human nature, how difficult then, must it be for the days to pass with no useful occupation?

It is arguable no work is dehumanizing if the worker believes in his task and can measure success.


The old saying is, "by the work, one knows the workman." At different points in my afternoon's work I had different feelings about the work of others which I handled in the course of it. An experienced carpenter and rehabber, I have learned to read predecessors' craftsmanship as easily as a forensic analyst reads a fingerprint. My first response to foolish and misguided work is pity. Then of course as the corrective measures necessary to undo bad work and start my own mount, this gives way to irritation, and finally collapses into amusement.


In my personal management of mankind's folly, amusement, in fact, has largely replaced anger as the end-result of irritation. My admiration for Elvis Costello's lyric, "I used to be disgusted, but now I try to be amused," has lead me to the opened door of thinking of my positive attitude in the celestial terms of the angels, perhaps, actually wanting to wear my red shoes. On a roll of pop lyricism, I might also say like Dylan of my early angry-young-manhood, "I was so much older then, I'm younger than that now." I resented fixing chairs when I was twenty-five, and would have been irritated that E. questioned and reviewed my work. Now, I was grateful a woman with the life-experience and generosity of spirit of E. valued my work, saw its merit, and gave me the ultimate accolade of eventually trusting me alone to do it.

What is life-giving to all people is a sense of self-worth. I remain no fan of the great American therapeutic industry, and the Oprahfication and sentimentality of the modern American life which allows people to go homeless, while the children of the middle class lose themselves in Ecstasy, methamphetamine, bad music, and cheap Asian electronics to hear it on. But at the same time, the compliment of praise well-earned cannot be discounted: I could see it in the young men who contributed their time to REST, and in myself.

The second young black man who performed custodial chores that Friday was silently working in the back of the theater when I was boring and filling the woodwork lobby chair, infra. I thought I was alone in the big room, and being an amateur musician, among all the other skilled occupations I routinely subject to unskilled, recreational outrage, loudly sang, for what I thought was my own edification, a medley of Motown hits.

"See you be kickin' out the jams," he said, grinning broadly, and coming out of the shadows. I could not deny it, I was the only other person in the room. No stranger to mortification, I said, "thought I was alone."

Busying himself with a broom and dustpan, he began to sing, in a clear, soft falsetto.

"Sounds to me like you are no stranger to vocalization yourself," I said.

"Say what," he responded. He had not heard me.

"I said you sound good, singing, too."

"Well," he replied, "takes me a while to feel at home with it, but I like it." The doors to the theater opened, and when E. came in, he moved away, his work in hand.

After inspecting the last few chairs, and taking a look at the work I had done on the woodwork chair for the lobby, K. came in and she and E. went over some remaining tasks before the work-day could officially end. E. turned to me.

"Next week I'm going to have a whole LIST for you," she said.
_____________________________________

Unlike working in the kitchen, working at repair jobs offered me a great deal more gratification. The traffic in and out of the theater testified to the wide range of assistance REST offers.

The morning was occupied with homeless volunteers helping deliver furnishings to other REST clients, and in the afternoon REST clients visited the theater with REST caseworkers to obtain those furnishings, also clothes and shoes and appliances.

Clearly the theory of trickle-down economics enshrined in U.S. domestic policy in the 80s and 90s lacks universal application. It has been said that the rich are getting richer and the poorer poorer; however this has been said since the 18th-century, here, and probably since the time of Hammurabi. Yet, despite the immemorial application of this truism, Americans I think may be finding themselves in the vanguard of a world history which for the first time offers an opportunity to apply unprecedented largess in the form of a surplus of energy and material to resolving homelessness and the end-stage poverty that precedes it.

A tall, late-middle aged white woman, well-spoken and gracious, came to REST to get some slacks and look over the shoes. A diminutive Caucasian man speaking in Slavic-accented English found a jacket, an overcoat, and a backpack. A clean and decently-dressed black matron chose some slips and blouses, and on the way out groused to K. about the impenetrability of the government relief forms she had to fill out, and the intransigence and laziness of the government office workers with whom she was compelled to treat.

"When the paperwork is done, it's done," she said. "And it all works out in the end. But they sure don't make it easy."

And in this we see a cross-section of REST clients: not abject, not insensibly ignorant, criminal, or unmotivated to change their lives, but simply surpassed. For one reason or another, the economic miracle of American prosperity has left these competent and practical people in the dust. If the great questions deciding the successes and failures of a society rest upon the manner in which they treat their prisoners and the poor, then despite its many successes, American policy has-- in small, if not in large-- failed.

The potential for success remains.
_____________________________________

Arrived at REST at 0945. After waiting for about twenty minutes in the lobby, E. asked me to come in and finish the work on a wood-work lobby chair, upon which I had spent much of the afternoon, a week ago, working the wood.

“I’m sorry I was late today,” I said. I had bought some sandpaper on my own to use, since I knew REST did not have any, and I had forgotten a tool and I had to go back home to retrieve it.

“That’s OK, you’ll notice we weren’t in a great hurry to get to you, we are busy today,” E. said, with a little laugh.

Entering the theater, a black woman was at work at the table ripping the satin and silk and sateen borders from blankets. Her eyes darted up at me as E. and I entered.

“L., this is Charles,” E. said. “He’ll be in here working today.”

“Hey, L.,” I said, but she did not speak. L. was a light-skinned black woman older than sixteen and younger than forty-five, probably. She was wearing earth-colored clothes, an ankle-length brown woolen dress, a cardigan sweater, and a small kerchief. She pulled the borders off the blanket with a scissors, making a small popping sound, and kept her head down.

E. started to move L.’s fabric-work aside for me. Her projects covered the entire table, a (12)-foot long board-room table—my project had covered the same area of space the previous Friday. Again, L.’s eyes darted from E. to me, and she had not yet uttered a syllable.

“E., that’s all right I’ll work over here,” I said. L. seemed to relax a little, and I took up a place at a separate table (there was furniture all over the place, and lamps, too—there was no shortage of surfaces on which to improvise a bench).

“L., the work you do means a great deal to us,” E. said. L. ducked her head and E. left us there, each to our work.

The previous Friday I had scraped, sanded and filled the joinery of the wood-work lobby chair, discovering a (¼)-inch carriage-bolt sleeper holding at all together. The carriage bolt was torqued, bent out of center in two separate places along its vertical axis, the result of the previous workman forcing the fastener from the thread-side, thinking it was a double-threaded fastener, or something; or merely trying to muscle the head of the fastener, by main force, through over an inch of hardwood, to extract it.

Reporting to E., I obtained the REST plastic chest of drawers full of nuts and bolts, and selected a crew of potential replacement soldiers for the forced bolt. But none of them worked. A bolt might be wide enough, but not long enough; or long enough, but too thin and spindly to hold the arm of the chair. It seemed as if the old, twisted bolt would have to be made to work.

I studied the bolt, and took up a hammer. Climbing up to the fire escape, where I knew there was a stone sill, I cracked the double-doors to the cast iron fire escape to light the work. Banging out one fat side of the bolt after the other to straighten the bolt on its axis, I was a little concerned about taking the edge off the threads.

Back at the bench, I was able to brighten up the bolt considerably with the wire-brush, and reflected that because the wood-filler was of pretty dense material, even such flattened threads should get a purchase.

The previous Friday I had got from E. an old pencil, which I now gripped in the vice-grips, for sectioning. I sectioned the pencil, obtaining (2) graphite-cored, (1)-inch long by (¼)-inch-thick dowels.

Then, the moment of truth. Selecting the (¼)-inch bit, I bored the piece for the bolt and the two dowels. I dry-mounted everything without banging it completely together. Then I glued it up and using a rubber mallet set it all up.

The chair clinched together pretty well, so I scrubbed it up a little with the knife and sandpaper. K. came out and reviewed the work, putting a hand on it, and said it was good. I had a problem making the bone-colored filler match the rest of the maple-stained chair, and K. brought me a brown magic marker.

At first I tried using the marker as a filler-pencil, but the ink dried out the tip too fast—the filler was too absorbent. I tore apart the marker and was able to make do with the reddish-brown ink inside, which tolerably matched. I blended the finish together using lemon oil and commercial furniture polish E. gave me, and was able to set up the completed chair in the lobby.

Afterwards I reassembled the marker, organized the chest of drawers, and collected the other stuff E. gave me to use. Rodney, a young black man who performed custodial chores and talked with me the previous Friday, helped me return the materials to E.’s office.

Then I looked around, expectantly, but at some point L. had gone. A cardboard box once used for a washing machine was full of woolen blankets, naked of borders. The small trash-can by the double-doors was full of silk strips, trailing gossamer thread.
_____________________________________

Dominant race, oppressor, hegemon—all these things am I, unwillingly, or at least reluctantly, for the talk-shows and advice columns, television and magazines are full of encouragement to Empowerment. Were not the National Socialists in Germany, during the “Kristallnacht," the infamous nights of widespread brutal attacks against the Jews, November 8–9, 1938, empowered? Were not the Romans empowered individuals? Was not Simon Legree, scourge in hand, feeling empowerment in his dominance?

Meeting L., the wide-open, Midwestern, Caucasian, liberal, over-sexed, repressed, and ultimately (in Louis Farrakhan’s construct), "Satanic" Ted Bundy of whom all people of color believe they have had such bitter experience rises out of me, miasma-like, from my true-blueness, howsoever true-blue I may actually be. L.’s look of shrinking fear, of shyness, of reticence, even if projected by me upon who might be merely a retiring personality did impress upon me that not all people are comfortable with the big, the bluff, the open-handed. Too many times behind such archetypal American friendliness has been a threat. In the popular movie, “Brother Where Art Thou,” the massive John Goodman plays the conniving Big Dan, a one-eyed Bible salesman (not surprisingly a Southern white man), who gladly meets George Clooney and John Turturro, invites them to a picnic on the outskirts of town, and then robs them and beats the hell out of them, with a tree limb in one beefy hand and a leg of fried chicken in the other.

In the hopeful world, the civilized believe everyone can be friendly and work something out, whatever the differences that divide us. The poor and the homeless of course, leading the equivalent of a hunting-and-gathering lifestyle, but in the hearts of big cities, know better than anyone with even working-class resources how red, in tooth and claw, is nature. They know this of course because despite the accoutrements of civilization neither men nor women are not essential animal; or rather, it is under extreme duress men and women demonstrate what kind of animal they really are. It is easy, in the presence of power—your commanding officer, your boss, your President—to feel awed and subjected in the face of a power that can overturn your life with little or no effort. The welfare case-worker, the parole officer, the judge all hold this power over the homeless, and the morbidly poor.

Where can they gather to themselves empowerment?

The case is exacerbated by the most sensitive treatment, which to the average middle-class American, manifests the exact opposite of the ideal of independence, the freedom to fail, and if need be fail spectacularly. I would not, could not, force my comradeship upon the silent and reluctant, seam-tearing L.

And then before I knew it she was gone.
_____________________________________

Most American businesses operate on the basis of healthy cash flow signifying a healthy business. REST is thriving, if volume of clientele (the homeless) is any indicator, but the management of the center is based upon the catch-as-catch-can principles that actuate markets new to the transparent economics of healthy capitalism: Russia, the Balkans, the new democracies in the Middle East. The black-market, the co-operative, and the cash-strapped not-for-profit share a great many ideals.

The improvisation of solutions is among the most important skills to put to use in such a management environment, but in another of the manifold Catch-22s plaguing charitable enterprises and their staffs, while “real-world,” experience dictates that the way in which a chair should be repaired involves, perhaps, hardwood dowels, and wood-stain and varnish, the “real-world,” of shelters like REST, has to be more inventive, with a consequent reduction in quality. The problem is that homelessness and poverty may contribute to a certain cunning, but “craft,” in the sense of a disciplined approach to systematic, quality workmanship, is almost wholly absent in the lives of people so crushed beneath the cares of the day’s living they have no time and no incentive to achieve such abstract skills.

Enough years of being on the outside, living at a subsistence-level, kills initiative, which is the forerunner of courage. Encouragement, in the literal sense of the word, is killed twice in the homeless and desperately poor: once upon failure, and again upon accepting all but the most expertly and humanely offered charity. To administer assistance to such people is the delicate work of a surgeon, pastor, and journeyman combined.

When E. said, “L., the work you do means a great deal to us,” and L. modestly bowed, faintly smiled, and then diligently and silently finished her work, E.’s gentle words illustrated perfectly how such complicated mechanisms of the human heart may be deftly moved.
_____________________________________

Returning from lunch, K. met me in the theater.

Strewn across the conference-room table were boxes after boxes of contributed clothes, pots and pans, blankets, sheets and pillows.

K. said the afternoon would be spent in maintenance and organization. E. joined us and together we circled the theater and found the various concentrations of category where all these things were kept, in various stages of organization.

“Put the pots and pans with the pots and pan, the men’s clothes with the men’s clothes and the women’s with the women’s, and so on,” she said.

Underneath all the contributions was another enormous box of blankets. The commercial laundry that contributed laundry services to REST could clean the blankets more cheaply and without damage if the silk and satin borders of the blankets were removed. K. said my job, like L.’s that morning, was to transform the overflowing box before me, accordingly.

Working with me was a tall cadaverous white man named Dan, who wore dungarees, an old white T-shirt, and sneakers. He stood between the clothes-racks and shelving where the men’s clothes were stored and using a yardstick measured each article of clothes for size, before putting it with like-sized pants, or shirts, or jackets, or sweaters.
_____________________________________

The trance of work is therapeutic, in this Friday afternoon no different than last. Dan and I have brief, friendly conversations about where articles of clothing should be put, the ease of a yardstick as a tailoring tool and the ease of a tape measure for woodwork.

Circling the great room time and time again with contributions, I find myself unifying, in objects, the flow of everybody, together. The rich, the poor, the dead, and the living, seem to finally be unified in these objects.

Here is a baby’s high-chair, here a rough plaid blanket; here is a Navy blue suit, neatly folded, the fabric still thick and sharply creased, obviously seldom worn, here are a series of slacks in one bag: jeans, khakis, and finally Sansabelt knit pants, the leg wear of a lifetime telescoped into a single contribution to the poor.

Like God himself, I suppose, does tall, cadaverous white-haired Dan measure with his massive veined hands the exact size and shape of each article coming into them, selecting, appraising, placing it finally on the shelf where it belongs. Measured, valued, categorized and catechized in its place, until that moment of redemption, brought off the shelf and back to life, awakened again to useful service.
_____________________________________

In the review, of course, although the equality of all citizens is the chimeric dream of this new American republic, inequalities persist.

Dan and I, for all our camaraderie, remain at an economic distance, or so I suppose. He is clearly past retirement age, plausibly poor, clearly not otherwise occupied.

In his future I see us all, after the career, marriage, children have gone, lonely and forgotten, but with an automaton’s, or an old horse’s, or a moth’s habit of routine—revolving around and around the same pattern, the same mill-path, the same light. We are, all of us, stray nuts and washers, knocked out of the economic machine and not missed, chips scattered from the shaping of the block, the cast-off scarf of the great unseen hand which clips all the inferior buds in anticipation of the one true bloom. As in all the literature, the life of work, of folly, or criminality, or virtue, lies at last in a common grave. The lessons of history are only imperfectly learnt. Think of world-unity, the great commune, universal brotherhood, Rousseau, Jean Jaurés, Jefferson, Schweitzer, the Mahatma, Jesus-- ultimately is it a Christian conceit, possibly a corollary to the Vincentian notion that "Love is inventive to Infinity," that in us, in each of us, is all of us? Or is it the merest politics? Is the dawn of a new thought threatening? The great conversion of humans on our own road to Damascus is happening even now, but in a race with the dogmatic, the necessarily defensive, the violence of the killer-ape trembling below the surface in us all, waiting for the trigger of all the looming threats, from outward and inward.

Of course, it is possible Dan is a man of means, otherwise engaged with real estate, the stock ticker, grandchildren, and the compliment of the devotion of perhaps the last in a series of trophy-wives. Possessed of fantastic wealth, an eccentric Howard Hughes traveling incognito through the streets of shame, Dan may spend his afternoons doggedly measuring donated clothes as an occupational ruse. All the while he is actually coldly assessing, seeing shrewdly and clearly from his pinnacle of affluence and power, like that dark avenger Monte Cristo, the exact character of the people who travel this dusty globe with him. In the evening he walks miles through the sunset streets until he shakes off all distant would-be interlocutors, finally, alone, gaining his gate, his doorman, the silent, hushed, rise to the top, and his key turning in his lock.

This may be how Dan gains his philosophy: to sit tranquil, heavy-lidded with manifold grace, before his stone fireplace high above the winking metropolis, a glass of sherry in his great gnarled hand, and reflect.

Wednesday, March 5, 2008

Bildungsroman

"Cowboys"

They all looked windblown and sunburned, but they had a manner that made me think they had seen a lot of life, and knew the way things were. When I think about how I will look in twenty years, I make faces of bitterness in the mirror, trying to picture how I will look when I am hardbitten like them. Of course, when I relax my face in the bathroom mornings and I see my face and eyes, I realize they are perhaps made of sterner stuff.

All the way up I had this tune running through my head. At first I thought it was "Greensleeves," but when I tried to hum the light, happy refrain, I couldn't.

On the trail, older people were all around us, wearing winged sunglasses and brightly colored sport shirts and blouses. The men didn't know how to ride, and sat in their saddles with their feet plunged heel deep in the stirrups, their hands clutching their saddle horns. The women smiled absurdly at each other, and waved frantically at each other all along the line of horses. I didn't like watching those people.

The men who were the leaders of the ride up were different from we others. If I turned away from the tourists and just watched those men, it was just like they did in the movies: a man sat casually in his saddle, with his feet out of the stirrups, smoking a cigarette. There was another man beside him in font, with his hat pulled low over his eyes, lurching in his saddle as if he were asleep, but he was awake, because he kept his toes pressed into the stirrups, keeping balance. Behind us all rode a few other men, wranglers and hands of various occupations, one of them a man with no teeth who rocked lackadaisically in his saddle, grinning while he listened to us, and sipping from a pint of whiskey.

"Did you see that lady?"

I shook my head no.

"Which?" called Eric, around me.

"Oh, the one with the flowers," Walt said.

I looked and up ahead there was a woman with huge flabby arms, a white blouse, and the most outrageously flowered pants I had ever seen. She was wearing a little bandanna around her head, and had those glasses on: pointed at the hinge.

Walter choked, nearly foundered with laughter. I started laughing, and the guy with the whiskey started cackling. We all turned around and looked at him, stunned, and then the four of us rode along hilariously, even when the laugh had sort of wore out.

* * *

That night we sat around the ashes of the fire and finished our dinner. My parents were operating perfectly together, me a little chalk line that wavered between the two of them, not alighting.

We met a wagon at the campsite that afternoon. It was stocked with beef, bread, beans, water, salad, and a small bar. It was tended by a round-faced red faced man with a hat fresh and crisply shaped. He had a helper, a Mexican named Sly, working there on a temporary basis. They served all the people who had come up to sleep overnight in the woods. He threatened Sly outrageously with getting deported if he didn't straighten up, and Sly laughed, and worked like a convict. Sly had a broken arm, in a cast, and he still took the slops bucket and emptied it out at the ravine. His cast was rotting and fraying, but he laughed and winked at me while the little fat man raved at him.

The little fat man's face blazed in a kind of glory below his perfect hat. They no sooner cleaned up after one meal then they began another. They were packing up breakfast and setting up lunch.

Walt and Eric had taken up with the man who had his hat over his eyes the ride up. He had a pistol, and they all took turns shooting at something laying down a little gully. They called me over, and I walked over to them, wiping my hands on my jeans. They all smiled at me. The guy had his hat off, and I noticed he hadn't a lot of hair left. What was there was stringy and whitish-blonde. He smiled, and his teeth flashed crooked and broken. This fellow's name was Stony Martin.

I liked the man's name, and he was a good shot. Oh, he waved the gun in the general direction of a rotted black log, and the pistol roared and gave off great clouds of blue smoke. When we fired it, it hung massy in our hands, which quivered with strain holding the big, blue steel barrel frame by the wooden handle. The weapon hardly registered the trip hammer quiver of my hand, like a small error of gravity may effect the turning of the earth, until the heavy trigger was swabbed home by a convulsion of my small, soft hand, and it leaped up, and clamored. The notched receiver sight always seemed a skewed highway away from the foresight, however still I willed my heart to be, and held my breath. He just waved the barrel in the general direction and milked off a shot, and the bullet arced down his line of sight like an engine down a rail, and the target rolled and shivered under his unconcerned firing.

"If you boys feel like having a beer or two with me and the other wranglers, you're welcome," he said. Then he walked off, his arms swinging widely. We all called thank-yous after him, awed. He waved back at us without turning.

* * *

There was talk of a storm. There was talk of departing. We were too far from the ranch for them to get down the mountain by night time.

Only fourteen, I had never had a beer all my own before. My grandpa always took the bottle away after I had a generous swig, and say I was still little. I drank a beer, and then drank a lot of beers, and quickly. The men talked easily, like I imagined brothers talked, cowboybrothers. I don't have a cowboy brother. I have a dead brother. He died when we were both babies. I lived, and he died. So I really don't have a brother. Didn't. Don't.

Four dusty boots near bunks between a window athwart the yellow ground and the silver sky, the sunlight blazing. The naked interlude behind the bathroom door alone, the quiet porcelain minute discovering the first hair, the first shave, the smell of grandfather's Old Spice. A big sprawling Kansan home, like the Clutters home, In Cold Blood. The first glance that says, we're brothers. We know we're OK. The confidence. The faith the future will not be lonely. Selfishness. A twangy voice like my mother's:

"Breakfast!"

They wanted to be called wranglers. They cursed and laughed, and spit into the fire. One played a harmonica, and some sang along. Stony sang and his voice was high and hard like a steel-stringed guitar. The man with the little harp, whose name was Billy, palmed the melody away from the others, and bent it to his own devices. Oh, he was a musician! And you could tell because when the notes took shape and pulled out at the ends, and they wailed out into the night like a train whistle, there was the Santa Fe in the station, the hiss of the engine, the smell of saddle leather, the road, the prairie; yet however it may have touched me, it sounded somehow foreign, and old. Conversation drifted away, and men talking in the woods laughed, and their voices cut it all down.

A man limped into the clearing, into the red light of the fire. He had a red Indian's face and hound's eyes, kind and mirthful when he laughed a loud braying laugh. I remember I was irritated.

Smacking the spit from his harmonica, the man named Billy said, "you rude bastard," and grinned. The laughing man, whose name was Gay, looked surprised, then turned away in mock disbelief.

"Well, you are a rude son-of-a-bitch," he said. Everybody quieted down, and I thought of those bitter moments in The Rifleman, when Lucas McCain was riled, and a fight was about to begin. But glancing around I saw their faces were suffused with affection. The crinkles their leather pans all tilted up. They loved him.

"You should listen up, because you just might learn something."

The other men grinned, as if this were old stuff.

"Once upon a time," Gay started, "there was this here cowboy." At this there was a chuckle.

"And he was a-riding through the desert. Well pretty soon he come upon a cactus.

"And behind the cactus was this big rattler.

"So the cowboy pulls his gun and commences to draw a bead on this here rattler, and darned if the rattler don't look up and say in a high, squeaky voice, 'Please, sir don't shoot me cause I am a magic rattler and I’ll give you three wishes.' The cowboy stops.

"'Three wishes,' he says. 'Yup,' says the rattler.

"So this old cowboy says, 'You're on. For my first wish,'" here Gay looked at the sky and rubbed his chin. “‘I wish I could have a million.' Well, the rattler shakes his tail and says, 'you got it.'"

"'For my second wish, I wish I had a pretty yellow-hair gal,' and the rattler shakes his tail and says, 'you got it.' 'And for my third wish,' the cowboy says, ‘I wish m'dong was just like that horse's over yonder.' Well, the rattler shakes his rattle and says, 'enter thou the bunkhouse, and therein shall thou get what is comin’ to thee.'"

Here Gay paused and finished his beer. He rolled a cigarette.

"When he gets home, nothing's changed. He sits downhearted. Suddenly! A knock at the door. Western Union. He's been handed down a million. Then there's another knock at the door, and his beautiful yella-hair she-cousin from Tulsa comes in and takes off her shoes.

"The cowboy's ecstatic. He laughs, he swears, he slaps his jeans. Dust puffs out his kneepans. He jumps under the shower. She's combin' her hair. He gets a leetle stiffenin' feeling, and he looks down at himself," here Gay reared his hat back on his head and looked at his groin, horrified, with the cigarette dangling between his lips, "he looks down at himself, jumps out of the shower, steps on his hat, and yells, 'I'm a sonofabitch, I was riding MAUDE instead of CLAUDE.'"

We all laughed and slapped our knees. Then a rough voice from off in the blackness, the Captain, demanded silence. The coals glowed. The fire in our cheeks. The wind blew cooly through the trees, making the coals blush and subside again.

Some men called from the woods, their voices oddly without any discernible direction. I was asleep, and a man near us got up. His boots red, then disappearing, then his hat looming in the bluebacked trees, the moon.

“Indian ghost night," said a voice. Indian ghost night, said another, and laughed. Natural born fool if I ever seen it. Meet the bear, up there, white man, said a joker's voice. Horse is hobbled, Bill, said another. Stretch. We were up and following them in sleep, we didn't speak.

* * *

Stars shone, and the moon was high and white. We left the wooded trail and followed a narrower trail along the sloping side of the mountain. We passed a gnarled old tree that had only a few leaves left, that were no more than black dancing shadows, still darker than the night back-dropped sky.

We turned and the horses climbed from the trail to a grassy meadow. I watched behind me as the horse mounted the slope onto level ground, and below the trail all I could see was a black drop-off, falling blackness spiked with rocks, reeling down for thousands of feet.

Ahead was a wide expanse of long grass, which waved at me eerily in the moonlight. The noise of the wind through the grass was rushing, basso. Like long hair in water the field moved in slow motion. Far in the distance the rising waves of the Rockies surged, white-capped with snow. The moon lent them a blue hue, and gave them mobility, and they looked like clouds so far away.

"Hey buddy." Walt was speaking behind me.

"Yeah," I answered.

"Is this great or what?” he asked me.

"Sure," I said.

Gay was at the head of the line, and he hit his horse with his hat. We followed and I felt my horse, which I knew was a good one, an Appaloosa mare, gather herself under me. I felt so free, I yelled, "Hurrah, hurrah!”

Gay, the joker, wheeled at the other end of the field, and because I was at the end of the line, I called to him as he rode past to the other side.

He started to wave his hat, I glanced away, and when I turned toward him again, Gay was out of my field of view. I saw him then, and pulled up my horse, leaping to the ground and calling to the others.

The horse Gay was riding had stepped in a hole, or stumbled over an unseen log. Slowly the horse's rear legs rose behind him and kicked in the air, and he turned over on his back, one foot sticking stiffly into the ground. His big neck wrinkled and bent under, and the whites of his eyes rolled on and off. The leg broke free with a dangling, flailing motion, and the horse rolled over Gay, then shook himself to three of his feet, making Gay jerk up off the ground. I stared at him, and he was gagging and jerking around on the ground. Then he stopped jerking, and just lay there on the ground with his jaws agape. All twisted and broken, like a bag of broken sticks.

Looking at him, my mouth was open, and up ran the others. I backed away and I couldn't look at the dead man but saw death all around me, in each of the other's faces.

They were all in really big trouble, and I somehow felt I shared the blame. They put me down on Gay's horse's blanket after Stony shot the horse with his big forty-five. I saw the horse with his head down and his foot up, and Stony walked up to it, and tickled it under the chin, and loosened the saddle. The roar of the gun was everywhere, down the trail, up the mountain, in the sky. The horse dropped with a wheezy thud and his three delicate legs spidered around in the air for a minute, and then it was just Stony, his hat back on his head, an angular black branch of a man against the mountainous sky, hurtling past.

"I'm a junior member of the North Lake Polo Club," I kept saying, to anyone who would listen. Billy walked over from where Gay was laying, and smelled like some strange ammoniate sweat I had never smelled before. He stuck his rough face over me, and he looked like he was studying some small broken creature. I grabbed his shirt and I said it again, and there were little sparks in the corners of eyes, like shooting stars, planets, and the whole cold reeling universe above me, uncaring.

"I sit a good horse," I said, and my best friend Walt held my hand and said, relax, it will be daylight soon, daylight, remorseless with clarity. I would have to face my parents, so hideously alive, and myself, with daylight.

Soon it was. I avoided looking at the dead man, and when we started down, I felt sick seeing him spread in front of Billy on the saddle. He hung there with the blanket I laid up on, covering him, and Billy rode along ahead of us all. I saw him wipe his face. The campsite was very close, not near so far away as I had thought, and in no time the cheery red wagon appeared up the trail, and the hiss and smell of flapjacks. They threw Gay's saddle in the chuck-wagon, at an angle on the linoleum path in the center of the bed, between the cabinets. Around the breakfast fire, faces turned, my mother in her fawn-colored jodhpurs, my dad in his black straw Stetson and glasses.

I saw Billy wipe his face, and I knew that he was trying to stop crying, and I felt bad for having cried, for after all I had hardly known Gay at all.
_____________________________

"The Last Day of School"

(This story was first published in the Chicago Reader, 12 June 1981.)

It was late and the sky was black around the town and the grounds, except when you walked through the woods. In the woods you could see the sky in a shade of blue; and suspended in the dark, between the reaching, circlemaking branches, there were sudden flashes of light, when a janitor switched on the flourescents in a high classroom window.

The clock on the administration building chimed eight, nine, ten. Sitting on a bench across the narrow street from the building, in the dark, I drank the rest of a pint of milk. I held the cup and the waxed paper the Danish had come in, and had a' faint longing to go back to the commons and get another, but the Union was 300 yard's away, and I was tired from my night at the lab, and tired of the hot weather, and sick with art school. I was in sculpture; I wanted to be a sculptor, and I was so bored by all of it, with the exception of my last degree project.

At the lab I had a lover, Gig. She was putting in credit hours and I was a part-time technician for the rats and guinea pigs. They were in tiny cages with grated floors and a drawer that slid out. I would rather have been with the monkeys, like Gig was. The primates were more interesting, their poses, and their posture in movement. Gig's name was Galatia Hernandez, her father had fled Cuba sometime back in the 50s, and now lived in Michigan some where. She was studying primate reproduction in outer space. She had a small, brown, bakery smelling body, and we spent most of the night on the sterile floor of the technician's locker room, on her aluminum-colored space blanket. Her hair was soft and dark and curly, with tiny little curls. We showered in the acid-rinse for a long time. Afterward, we lay and listened to the animals scurrying around in their cedar chips. We laughed at the thought of Dr. Sabat, in his Indian moodiness, finding us mating on a space blanket.

We smoked and had some coffee, and Gig talked about Margarita, a naturalist friend of hers who, in defiance of the airlines, had flown 3,500 miles with a rare South American fruit bat slung around her neck, anaesthetized, beneath her shirt and between her breasts. We went to the roof cages to see him. He had red eyes and stared out at me from his cage. Many of the animals were kept caged on the roof in the summer. Sometimes they escaped and we got to go catch them. That was fun. It was starry above the lights, and there were cool breezes.

"Nice night," I said.

"I wish I was back in Florida," she said. "I saw Peter Stefanik the other day. I hadn't seen him since he was doing that little stock thing down there a few years ago. He said, 'My God, what did you with your boobs?' That asshole. I feel better smaller."

"I like you," I said.

"I like you." She kissed me.

"And you wouldn’t look good with a bat between your boobs. "

"You're an asshole, too," she said, and we went back down the stairs, through the blackpainted hallway, and then into the third-floor halls. The gray circle of a street lamp cut into the high windows at the end of the hall at the stairwell. The light shone coldly on the floor. It was a shiny stone floor, and had gold metal cutting it into squares. The light caught the metal, and we were like moving variables on graph paper.

"Larry and I are going to try and pour it again tomorrow," I said.

We were pouring sand-cast bronze. It was the last day our piece was eligible for a show, a degree requirement. Degrees! The sand casting technique was essential for a few effects we wanted, surface effects. Our piece needed softness, a smooth, rough, hot texture. Sand casting is a hard way to do it. It is hot and dangerous, and we had already tried twice and failed. If we did it, Larry and I had vowed to stick it out and finish school. If we failed again, we cut out. Larry had 10,000 pounds of granite waiting for him somewhere in Tennessee, and I had a job back in Chicago designing sets-- a play called Terminus Rex, a futuristic improv about worshiping a locomotive. It made me feel funny doing something like that.

Our joint design for the piece fitted together like a curvy jigsaw, into a whole, complementary. It was a shame if we screwed it up again. But if we did we had both soberly decided that was that.

"Are you high, Larry?" I'd asked as we last sat planning. Part of our private ritual.

"Never been high, Chuck." Then we laughed a little.

"Me neither," I said. Larry and I sat in front of the fire in the $50-a-month cold-water shared-bath front room I lived in. He lived above me, second floor. Larry flexed his biceps. He lifted weight and was heavily built. His shirt said Macon County Jail on the front. He had brown hair in a ponytail, and a beard. He was about six-foot-three, and weighed 200. He wore heavy glasses. He exhaled a cloud of smoke.

"Like to get high on that piece Thursday. That'd make me high," he said.

"If we choke, we quit, right?" He took a long, silent breath of the joint. Then he passed it to me.

"Yeah," he said. He exhaled. "Let's buy a bottle of Forester. You want to drink?"

"Sure," I said. We got systematically drunk. We went to Larry's house and I added some pastel touches to the charcoaled Rabelaisian women he had all over his walls, eight feet high.

The next night was when I went to meet Gig at the lab. We were going our separate ways soon, so we got together. Afterward, after space blanket and and fruit bat and golden-gridded floor, I wasn't sleepy, and Gig had work to do. She gave me a handful of her cigarettes.

"Thanks," I said. "Loan me a buck," and she did.

I threw the waxed paper and cup in the trash. Larry was out with another art student, Jim, in the flatbed, to get some railroad ties for some big geometric thing Jim was building. I started walking to my home, on the west side of town, away from university territory. When I struggled to the surface of undergraduate school, I had escaped campus living as quickly as I could.

I passed some frat, and all the windows were open, the lights all blazing. All the boys were cruising around in little underslung convertibles. They were making out with girls on the lawn.

I passed the library, a big windowless block of concrete, and left the buildings behind. Then there was the viaduct, and I went under the train tracks. I climbed the hill where the University Foundation memorial carillon was. The lines to the bells whipped around and whistled inside, on the gray stone walls. Then I jumped across the creek, and saw the gravel road where the house was.

Sitting under the streetlight were two other men who lived in our house, Charlie and Tom. They were from the south, and altogether uneducated scholastically. They tolerated us and our insane preoccupation with the university, because we came home dirty from our work, and worked late. They knew Larry and I were smart enough because we helped Charlie change a piston ring in his sister-in-law's Plymouth.

They were smoking cigarettes, and it was quiet. I had been walking along the curb, one foot in front of the other so I wouldn't crunch. Then I started to walk on the temporarily graveled road. It was white gravel, and I made noise walking on it.

"Hey."

"Hey," Tom said.

"Hey Charlie," Charlie said. It pleased him we had the same name.

"Hey, Charlie," I said. We grinned at each other.

Charlie offered me a cigarette. I shook my head and took one of Gig's and lit it. I gave one to Tom. He always had a vacant look. He said he was a motocross racer. He'd had a lot of accidents, he said, but when his therapy-- doctorin' he called it-- was over he was going racing again. His leg was twisted at the knee, and he had shown me at long, blue scar at least a half-inch wide. He and Charlie had tattoos. Tom was very calm all the time.

"Thanks," he said, and lit the cigarette with a steel lighter.

Beyond the streetlight there were big earthmoving machines. The city was refacing the street. Everything was wild and opened up. They had been taking a lot out of the ground, and I wondered if when they got their hands into their work they brought up live or dead things. The mounds of dirt stood around like statues.

"Yeah, so we 'bout got killed, tonight," Charlie said. He took smoke into his mouth, and into his chest with a quick little breath, and exhaled. "Yeahboy," he said. "Weeeooo!" He laughed and Tom smiled faintly.

They waited for me to ask.

"Yeah?" I said.

"We was comin' back from Columbus, and you know that cement bridge? Well, we torpedoed 'er." He laughed. Tom laughed: "Huh!" he said, laughing just that way, once. He picked a dandelion, and rubbed it between his palms, and threw it up with both hands.

"Whose car?" I said.

"Toni's," said Charlie. It was his sister-in-law.

"Man, you should have seen us. We were flyin' We were really movin!"

"We musta gone twelve feet in th' air," said Tom, smiling calmly.

"God damn it, we were really sailin'. Poom!" said Charlie. He slapped one palm forward into the other and off into space. "Son of a gun! Damn! Weeeoo!"

"So have you told her?"

"Whoaaaa!" They both roared.

Charlie turned toward me, squinting through a breath of smoke. He flicked his cigarette.

"Buddy," he said, "she's gonna beat my ass, man." He stood up, and laughed.

"Oh, she's gonna just kill you, Charlie," said Tom.

"Yeah, but fuck 'er," said Charlie. He was walking around like a bantam. He took another puff and flipped his cigarette away. Around the streetlight he walked, making a half-moon and then coming back to the grass when the circle of cast light reached into the road or into the lot, placing his feet carefully. "'Cause man," he said, walking. "We are, I are-- am-- alive." He turned and retraced his steps back to us. He did a roll and landed sitting. "I'm alive. And Chuck, we were so wasted. Hit 'er doing 80. We didn't know where we were. They fished us out."

"You hit the water?"

"Did we hit the water?" said Tom. "We bounced off the water, man."

"We got fished out by the state police," said Charlie.

We discussed the car. It was a wreck.

"Why'd you go wild?" I asked him.

"Hell, it slipped m' mind to tell you," said Charlie. "I'm gonna have me a baby. Chrissy's pregnant."

Then we all went and had a beer.

* * *

The following afternoon I was packed and ready to go. Gig was in Indianapolis visiting someone, and we had said a businesslike goodbye. The grey Toyota was piled high with stuff: whatever stereo equipment I couldn't pawn, two worn suitcases with my Grandma's initials on them, my tools, and a shotgun. It was a muggy, grey-bright day.

After the morning we'd had at the shop I just came home, wanting to be done with leaving as quickly as possible. I was ready to go before I knew it. Nervous energy, I guess. I wanted so to be away from the place. It had the shades of some truly dead and buried friends, and an army of specterlike faces, remnants of the restive intimacies of vacation love, the college affair. Dead friends and lovers. None of it anymore was fun or exciting or toughening or any of the virtues with which we apologize for the locales of our miseries.

One of my neighbors was an old man named Henry, who had retired to the cheap side of town, and he sat that day and smoked his pipe, watching me. He smoked Granger tobacco, which he had mailed into him from South Carolina. He started early in the morning, when he was sitting with the sun full in the face. He didn't move all day. He hadn't today. We were backed up against woods and farmland, and at dusk all the little wild cats and squirrels and sometimes a 'coon would amble up to Henry for a nut or some dried crusts. He smoked silently, and calmly, faintly smiling, he watched the sun rise and fall.

Larry and I had gone into the shop at four in the morning and destroyed our last-chance casting. I said good-bye to Larry at the infirmary. He had splatterburns from his shin to his waist. A vent we built into the casting to release the gasses of the molten metal had plugged. It's a common problem. A ten-inch hole had blasted out of the side of the mold, Larry screamed bloody murder, the sprinklers came on, and that was that.

He was planning a week recoup, and then to Tennessee and his stone to rape, and the mountains. And I had my job. We had a cigarette, and a laugh. Larry had been an emergency-room orderly at this same infirmary for four years. Now he had a chance to take advantage of his hospitalization guarantee. We shook hands.

It took about four hours to pack up my life as it was.

Charlie came up to me from next door, his hand behind his back. He was smiling. He had his shirt off, and I noticed for the first time he had a long scar across his chest.

"Want a cat?" he said.

"No, I don't need no cat," I said quietly. I was trying just to be quiet.

"Here," he said. "Some warm pussy for them long winter nights." He held out his hand. It held a little orange cat with blue eyes.

"Make him into a pair of gloves," I said.

Charlie lit a cigarette, expertly shifting the cat from one hand to the other. "Take it," he said, puffing. "Little varmint took me damn near an hour to chase down." He handed me the cat.

We went upstairs to the bathroom with a tub in it and smoked one, and the cat was crawling with lice so I scrubbed it with a brush, and he yelled bloody murder and Charlie laughed. I said I'd take it.

Henry and his old woman, and Charlie and Chris and Tom all told me good-bye together on the blacktop. The steel machines were there and quiet because it was the end of the day. The clouds were parting a little. Last night, on the porch upstairs just outside Larry's door, from my height on the second floor, I had wanted to draw the machinery. Under the streetlight, they had been hulking, fascinating shapes, heavily animate. I felt an electric feeling, and my eyes had flashed around when I looked away, and had shot up negatives of the bright street lit scene all across the dark walls. Now I guessed I had lost the chance. Now the light was different.

I divided up the stuff from the kitchen, and some books that my ex-wife and I had collected back in undergrad. I gave a type heavy, annotated edition of Moby-Dick to Tom, who immediately started paging it, his eyes close to the pages. Henry coughed and spit and lent me a few Bugler papers. I gave him my drip coffeepot.

Charlie and Tom paced around my overloaded grey dreadnought, straight-faced and worrying me about taking such chances with my life. The little cat was in the back seat, crouched. Then we drove away, and in the rearview I saw Charlie walk through the grass, kicking easy and rhythmic at the dandelions.